32 GB memory stick

E

Ed Cryer

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver (John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the language's
country
of origin in rhymes with root rather than rout, though it
is hard
to say which is better or whether one is right and the other
wrong.

I'm in England too, but we shouldn't be smug: just because
it came
from here, no reason to assume pronunciation - or grammar, or
anything else - has remained unchanged here but changed in
USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct as it
matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to time in
alt.usage.english. Both the "oo" and "ow" pronunciations
are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I
had just
watched an American movie on TV and had noticed in a scene
in which
two characters were discussing how to get somewhere that
one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where
UK-born
actor David Hewlett plays a Canadian: apparently the
Canadians have
pronunciations more like ours than the USians so this was a
kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about
changing it
yet
again and going into the definition of the words "eroticism" and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or
pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being carried on
in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a
foreign
language in my teens and I never thought that I'd see a
Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression? They
didn't
teach me either but I just added two and two together to
arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or "It
has" or
some such other expression and "didn't" is a shortened
version of
"did
not", while in, for example, "The boy's thingie" is a
contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words
in the
set
*my/your/his/her/its/our/your/their*. An example would be:
"Its size
is..." where "Its" can be replaced with "His/Her size is...".
Get
it?!

Though I never saw this subject explained so succinctly and so
clearly
in any textbook, I am afraid! But talking to an English language
teacher
who was himself English, the foremost authority on the English
language
is a Dutchman! There we have it in a nutshell! No,
unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a teacher of
English
as a foreign language to teenagers for a couple of years until I
gave up
teaching over poor pay. That was over half a century ago, but
what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept
of the
apostrophe being there to stand for an abbreviation, they
didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction
but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in
the set
*my/your/his/her/its/our/your/their*. An example would be: "Its
size
is..." where "Its" can be replaced with "His/Her size is...".
Get it?!"

I am talking only about "Its" here and in your example the word
"boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys'
thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only
confuses the
average person or student. Keep it simple, as says my old
classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg
or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you want to
approach
the problem through understanding exactly what happens when you
boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying
an egg
for the very first time for me! Apparently she used to get the
oil so
hot that the egg spluttered wildly when she broke it into the
frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives
some nuts
and it brings little benefit to humanity. We should all go back
to an
agrarian economy, believe in a flat earth and the geocentric map
of the
solar system. We certainly shouldn't go running through the
streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they
should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was
dealing
with another acronym and felt that I had no option but to use the
damned
apostrophe! I'll be damned if I can now recall which acronym it was.

Such is life! I am right at this moment listening to and partly
watching
the New Year Day's Concert of 1989 with the VPO under Carlos
Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42
minutes
of it, courtesy of some nutter who has got nothing better to do
than to
make available the video of the full concert on YouTube! Bloody good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube.
There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from the
vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so much
people with nothing better to do, but people wanting to share with
the
world the things that have helped and inspired them; and that is a
filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of material on
YouTube as well about people wanting to share with other like-minded
people the things that give them joy. For we get the greatest joy in
life by giving and by sharing. I'll never forget the joy I got when I
gave a girl I know a watch I had foolishly bought on eBay. I didn't
need
a watch, in any case. It was a nice two tone unisex watch and at first
she didn't want to accept it. But I could see that she liked it and
I'll
never forget the joy in her eyes when she finally decided to accept it
as a no strings attached present from me. I could understand why at
first she did not want to accept it considering the yawning age gap
between us, and the fact that I had given her nice presents before. We
were both aware of the attraction between us and I guess she wanted to
keep some distance due to the age gap between us, which is perfectly
understandable. But seeing the joy in her eyes when she finally
accepted
it when I stressed that it was a no strings attached present, made my
day. I was over the moon with the joy of giving, or sharing. We have
been good friends for several years now and our relationship is
going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably the
very best rendition of that oeuvre ever. I first listened to that CD
years ago when it came to my notice at the local library. Listening to
it on some decent speakers at home was an eye (and ear) opener for me.
Mind you, the VPO is definitely one of the finest, if not the finest,
orchestras in the world. And under a conductor like Carlos Kleiber
they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant critic,
for example. Interest, experience all come in. I remember listening to
some piano work played by a famous player who shall remain nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet version
of the same work and of course I took his advice and bought the George
Bolet version. And as soon as I put the disc in the CD player, I could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an education in
music even though I did not become a professional musician but I still
have the benefit of a pair of trained ears.
-- choro
Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.
Since you obviously like organ music and Bach, have a listen to this...
Amazing for a boy his age!


Also listen to the following...

...and here is a truly great artist playing the same Bach Toccata and
Fugue...

E. Power Biggs on the Pedal Harpsichord...absolutely amazing... not only
the playing but also the quality of the sound and the quality of the
recording...

And the other chap you mention? Virgil Fox? Did a YouTube search and
tried to listen to some of his stuff... well, I tried! Honestly I did
and you know what went through my mind: Oh, God!!! How awful!!!!

For a moment I thought I was having a nightmare as I recalled the
"pianist" Liberace!

But you know, these, I won't even call them second rate artists, *do*
serve a useful purpose if only to make us appreciate truly great artists
when we hear them! But one thing we mustn't do is not to get confused by
expressions such as "popular" or so-called "famous" artists as opposed
to truly great masters.

Composing of course is a great art. I doubt that works are just inspired
in a jiffy. It doesn't work out like that. If you read about Beethoven
you will note that he used to have a book in which he would scribble
tunes as they came to his head. Tunes are the building blocks of any
musical work. But they are only the start. The edifice is constructed
around such inspired tunes. Not everything that passes for music these
days is music. Good sound track material may be, but not music.
-- choro
That kid's good and no doubt will get better, but I can certainly tell
the difference between him and Richter.
Richter's more than technically good; he puts far more feeling into the
piece. It has a drama about it and a more cut and clipped feel than the
kid's.

Talking of musical prodigies (no, not Mozart, who I understand used to
produce whole scores for symphonies with hardly any crossings-out, as if
they came finished out of his head) look at this Greek boy on a
bouzouki. He looks not long out of a pram.
http://www.youtube.com/watch?v=_TMGARku0iA

Ed
 
D

Daniel James

Besides what do they call that medical condition we all get
in old dottage? ;-)
Death? I can't think of any other that we *all* get?

Let's hope that none of us gets it any time soon ...

Cheers,
Daniel.
 
C

choro

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver (John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the language's
country
of origin in rhymes with root rather than rout, though it
is hard
to say which is better or whether one is right and the
other
wrong.

I'm in England too, but we shouldn't be smug: just because
it came
from here, no reason to assume pronunciation - or
grammar, or
anything else - has remained unchanged here but changed in
USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct as it
matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to
time in
alt.usage.english. Both the "oo" and "ow" pronunciations
are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I
had just
watched an American movie on TV and had noticed in a scene
in which
two characters were discussing how to get somewhere that
one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where
UK-born
actor David Hewlett plays a Canadian: apparently the
Canadians have
pronunciations more like ours than the USians so this was a
kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about
changing it
yet
again and going into the definition of the words "eroticism"
and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or
pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being carried on
in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a
foreign
language in my teens and I never thought that I'd see a
Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression? They
didn't
teach me either but I just added two and two together to
arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or "It
has" or
some such other expression and "didn't" is a shortened
version of
"did
not", while in, for example, "The boy's thingie" is a
contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words
in the
set
*my/your/his/her/its/our/your/their*. An example would be:
"Its size
is..." where "Its" can be replaced with "His/Her size is...".
Get
it?!

Though I never saw this subject explained so succinctly and so
clearly
in any textbook, I am afraid! But talking to an English
language
teacher
who was himself English, the foremost authority on the English
language
is a Dutchman! There we have it in a nutshell! No,
unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a teacher of
English
as a foreign language to teenagers for a couple of years
until I
gave up
teaching over poor pay. That was over half a century ago, but
what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept
of the
apostrophe being there to stand for an abbreviation, they
didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction
but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in
the set
*my/your/his/her/its/our/your/their*. An example would be: "Its
size
is..." where "Its" can be replaced with "His/Her size is...".
Get it?!"

I am talking only about "Its" here and in your example the word
"boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys'
thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only
confuses the
average person or student. Keep it simple, as says my old
classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg
or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you want to
approach
the problem through understanding exactly what happens when you
boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying
an egg
for the very first time for me! Apparently she used to get the
oil so
hot that the egg spluttered wildly when she broke it into the
frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives
some nuts
and it brings little benefit to humanity. We should all go back
to an
agrarian economy, believe in a flat earth and the geocentric map
of the
solar system. We certainly shouldn't go running through the
streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they
should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them
there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was
dealing
with another acronym and felt that I had no option but to use the
damned
apostrophe! I'll be damned if I can now recall which acronym it
was.

Such is life! I am right at this moment listening to and partly
watching
the New Year Day's Concert of 1989 with the VPO under Carlos
Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42
minutes
of it, courtesy of some nutter who has got nothing better to do
than to
make available the video of the full concert on YouTube! Bloody
good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube.
There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from the
vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so much
people with nothing better to do, but people wanting to share with
the
world the things that have helped and inspired them; and that is a
filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of material on
YouTube as well about people wanting to share with other like-minded
people the things that give them joy. For we get the greatest joy in
life by giving and by sharing. I'll never forget the joy I got when I
gave a girl I know a watch I had foolishly bought on eBay. I didn't
need
a watch, in any case. It was a nice two tone unisex watch and at
first
she didn't want to accept it. But I could see that she liked it and
I'll
never forget the joy in her eyes when she finally decided to
accept it
as a no strings attached present from me. I could understand why at
first she did not want to accept it considering the yawning age gap
between us, and the fact that I had given her nice presents
before. We
were both aware of the attraction between us and I guess she
wanted to
keep some distance due to the age gap between us, which is perfectly
understandable. But seeing the joy in her eyes when she finally
accepted
it when I stressed that it was a no strings attached present, made my
day. I was over the moon with the joy of giving, or sharing. We have
been good friends for several years now and our relationship is
going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably
the
very best rendition of that oeuvre ever. I first listened to that CD
years ago when it came to my notice at the local library.
Listening to
it on some decent speakers at home was an eye (and ear) opener for
me.
Mind you, the VPO is definitely one of the finest, if not the finest,
orchestras in the world. And under a conductor like Carlos Kleiber
they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant critic,
for example. Interest, experience all come in. I remember listening to
some piano work played by a famous player who shall remain nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet version
of the same work and of course I took his advice and bought the George
Bolet version. And as soon as I put the disc in the CD player, I could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an education in
music even though I did not become a professional musician but I still
have the benefit of a pair of trained ears.
-- choro

Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.
Since you obviously like organ music and Bach, have a listen to this...
Amazing for a boy his age!


Also listen to the following...

...and here is a truly great artist playing the same Bach Toccata and
Fugue...

E. Power Biggs on the Pedal Harpsichord...absolutely amazing... not only
the playing but also the quality of the sound and the quality of the
recording...

And the other chap you mention? Virgil Fox? Did a YouTube search and
tried to listen to some of his stuff... well, I tried! Honestly I did
and you know what went through my mind: Oh, God!!! How awful!!!!

For a moment I thought I was having a nightmare as I recalled the
"pianist" Liberace!

But you know, these, I won't even call them second rate artists, *do*
serve a useful purpose if only to make us appreciate truly great artists
when we hear them! But one thing we mustn't do is not to get confused by
expressions such as "popular" or so-called "famous" artists as opposed
to truly great masters.

Composing of course is a great art. I doubt that works are just inspired
in a jiffy. It doesn't work out like that. If you read about Beethoven
you will note that he used to have a book in which he would scribble
tunes as they came to his head. Tunes are the building blocks of any
musical work. But they are only the start. The edifice is constructed
around such inspired tunes. Not everything that passes for music these
days is music. Good sound track material may be, but not music.
-- choro
That kid's good and no doubt will get better, but I can certainly tell
the difference between him and Richter.
Richter's more than technically good; he puts far more feeling into the
piece. It has a drama about it and a more cut and clipped feel than the
kid's.

Talking of musical prodigies (no, not Mozart, who I understand used to
produce whole scores for symphonies with hardly any crossings-out, as if
they came finished out of his head) look at this Greek boy on a
bouzouki. He looks not long out of a pram.
http://www.youtube.com/watch?v=_TMGARku0iA

Ed
The kid playing Bach's Toccata and Fugue in D minor is of course only 13
years old. Or was at the time which was in 2010, I believe. Of course he
is going to mature. As for Richter, he is one of the all time greats.
But do listen to E. Power Biggs playing the same work on the harpsichord
and listen very carefully. I am thankful to you for bringing me this
great keyboard player to my attention for I was not aware of his name
even. He is incredibly good. And the recording is also superb.

But I have come across another great musician; a singer this time. Here
watch this... Great stuff!!!
http://www.youtube.com/watch?v=usql_VSXn_0


You are right about Mozart, though I am sure there is some PR behind all
those stories about him. But that he was a prodigy, there is no doubt.
Also do not forget that most of his music is a bit formulaic, if you ask
me, and I have heard music by other composers of the time that was
somewhat indistinguishable from Mozart's music. This of course doesn't
detract one bit from the greatness of Mozart's music.

As for Beethoven, he broke new ground and we can safely say that he was
a revolutionary. He was also, at least to my opinion, the greatest
Romantic -- witness his piano sonatas! And therein lies his greatness.

The little Greek boy on the bouzouki shows what kids can accomplish but
he is not playing great music and he is still very immature which is
natural considering his age. I know I am being a bit tough on him but...

-- choro
 
M

Mack A. Damia

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver (John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the language's
country
of origin in rhymes with root rather than rout, though it is hard
to say which is better or whether one is right and the other
wrong.

I'm in England too, but we shouldn't be smug: just because it came
from here, no reason to assume pronunciation - or grammar, or
anything else - has remained unchanged here but changed in USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct as it matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to time in
alt.usage.english. Both the "oo" and "ow" pronunciations are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I had just
watched an American movie on TV and had noticed in a scene in which
two characters were discussing how to get somewhere that one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where UK-born
actor David Hewlett plays a Canadian: apparently the Canadians have
pronunciations more like ours than the USians so this was a kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about changing it
yet
again and going into the definition of the words "eroticism" and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being carried on in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a foreign
language in my teens and I never thought that I'd see a Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression? They
didn't
teach me either but I just added two and two together to arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or "It
has" or
some such other expression and "didn't" is a shortened version of
"did
not", while in, for example, "The boy's thingie" is a contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the
set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get
it?!

Though I never saw this subject explained so succinctly and so
clearly
in any textbook, I am afraid! But talking to an English language
teacher
who was himself English, the foremost authority on the English
language
is a Dutchman! There we have it in a nutshell! No, unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a teacher of
English
as a foreign language to teenagers for a couple of years until I
gave up
teaching over poor pay. That was over half a century ago, but what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept of the
apostrophe being there to stand for an abbreviation, they didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get it?!"

I am talking only about "Its" here and in your example the word "boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys' thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only confuses the
average person or student. Keep it simple, as says my old classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you want to
approach
the problem through understanding exactly what happens when you boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying an egg
for the very first time for me! Apparently she used to get the oil so
hot that the egg spluttered wildly when she broke it into the frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives some nuts
and it brings little benefit to humanity. We should all go back to an
agrarian economy, believe in a flat earth and the geocentric map of the
solar system. We certainly shouldn't go running through the streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was dealing
with another acronym and felt that I had no option but to use the damned
apostrophe! I'll be damned if I can now recall which acronym it was.

Such is life! I am right at this moment listening to and partly watching
the New Year Day's Concert of 1989 with the VPO under Carlos Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42 minutes
of it, courtesy of some nutter who has got nothing better to do than to
make available the video of the full concert on YouTube! Bloody good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube. There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from the vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so much
people with nothing better to do, but people wanting to share with the
world the things that have helped and inspired them; and that is a filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of material on
YouTube as well about people wanting to share with other like-minded
people the things that give them joy. For we get the greatest joy in
life by giving and by sharing. I'll never forget the joy I got when I
gave a girl I know a watch I had foolishly bought on eBay. I didn't need
a watch, in any case. It was a nice two tone unisex watch and at first
she didn't want to accept it. But I could see that she liked it and I'll
never forget the joy in her eyes when she finally decided to accept it
as a no strings attached present from me. I could understand why at
first she did not want to accept it considering the yawning age gap
between us, and the fact that I had given her nice presents before. We
were both aware of the attraction between us and I guess she wanted to
keep some distance due to the age gap between us, which is perfectly
understandable. But seeing the joy in her eyes when she finally accepted
it when I stressed that it was a no strings attached present, made my
day. I was over the moon with the joy of giving, or sharing. We have
been good friends for several years now and our relationship is going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably the
very best rendition of that oeuvre ever. I first listened to that CD
years ago when it came to my notice at the local library. Listening to
it on some decent speakers at home was an eye (and ear) opener for me.
Mind you, the VPO is definitely one of the finest, if not the finest,
orchestras in the world. And under a conductor like Carlos Kleiber they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant critic,
for example. Interest, experience all come in. I remember listening to
some piano work played by a famous player who shall remain nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet version
of the same work and of course I took his advice and bought the George
Bolet version. And as soon as I put the disc in the CD player, I could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an education in
music even though I did not become a professional musician but I still
have the benefit of a pair of trained ears.
-- choro
Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.
Since you obviously like organ music and Bach, have a listen to this...
Amazing for a boy his age!
Truely astonishing! That 34 people dislked his playing has to be some
kind of evidence of evil in the world. Any word on the organ played?
Such talent. One has to stop being envious at my age and say, "I
never had it, and I never will!". I can still enjoy, though.
Also listen to the following...
Magnificent! Yet I still have to say Biggs had Bach's soul within
him, although they are extremely subtle differences.
...and here is a truly great artist playing the same Bach Toccata and
Fugue...
Funny how most people know this as the "haunted house music". Any
word on the organ played? Biggs favored the D.A. Flentrop in Harvard
University's Busch-Reisinger Museum. Do you have an inkling how Bach,
himself, played the piece? Were organs pretty much the same in the
17th Century as they are now?
E. Power Biggs on the Pedal Harpsichord...absolutely amazing... not only
the playing but also the quality of the sound and the quality of the
recording...
Very nice. Somewhat different. I do prefer the pipe organ. Another
of my favorites is Biggs playing the Passacaglia and Fugue in C minor,
BWV 582
And the other chap you mention? Virgil Fox? Did a YouTube search and
tried to listen to some of his stuff... well, I tried! Honestly I did
and you know what went through my mind: Oh, God!!! How awful!!!!
He had his following, but more of a "pop" entertainer than a serious
classical organist, methinks.
For a moment I thought I was having a nightmare as I recalled the
"pianist" Liberace!
Don't forget his brother, George, whom, I think, we never saw. And
the candelabra on the piano. He also had short, fat fingers adorned
with rings, as I recall.
But you know, these, I won't even call them second rate artists, *do*
serve a useful purpose if only to make us appreciate truly great artists
when we hear them! But one thing we mustn't do is not to get confused by
expressions such as "popular" or so-called "famous" artists as opposed
to truly great masters.
I don't knock them. They can certainly play better than me.
Composing of course is a great art. I doubt that works are just inspired
in a jiffy. It doesn't work out like that. If you read about Beethoven
you will note that he used to have a book in which he would scribble
tunes as they came to his head. Tunes are the building blocks of any
musical work. But they are only the start. The edifice is constructed
around such inspired tunes. Not everything that passes for music these
days is music. Good sound track material may be, but not music.
-- choro
We were just discussing classical music used in films in
rec.arts.music.past-films, and I had to mention The St. Matthew
Passion (Chorus - "Wir setzen uns mit Tränen nieder") heard in the
first two minutes of the film - actually used as the opening theme.

http://www.youtube.com/watch?v=EaSvJZE3dCI

The full movie has just been removed by YouTube:

http://www.youtube.com/watch?v=7vo6WootWgE
 
C

choro

Death? I can't think of any other that we *all* get?

Let's hope that none of us gets it any time soon ...

Cheers,
Daniel.
That's no medical condition. It is medical, oh I keep forgetting things...
ah, that is *medical conclusion*!
-- choro
 
C

choro

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver (John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the language's
country
of origin in rhymes with root rather than rout, though it is hard
to say which is better or whether one is right and the other
wrong.

I'm in England too, but we shouldn't be smug: just because it came
from here, no reason to assume pronunciation - or grammar, or
anything else - has remained unchanged here but changed in USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct as it matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to time in
alt.usage.english. Both the "oo" and "ow" pronunciations are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I had just
watched an American movie on TV and had noticed in a scene in which
two characters were discussing how to get somewhere that one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where UK-born
actor David Hewlett plays a Canadian: apparently the Canadians have
pronunciations more like ours than the USians so this was a kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about changing it
yet
again and going into the definition of the words "eroticism" and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being carried on in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a foreign
language in my teens and I never thought that I'd see a Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression? They
didn't
teach me either but I just added two and two together to arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or "It
has" or
some such other expression and "didn't" is a shortened version of
"did
not", while in, for example, "The boy's thingie" is a contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the
set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get
it?!

Though I never saw this subject explained so succinctly and so
clearly
in any textbook, I am afraid! But talking to an English language
teacher
who was himself English, the foremost authority on the English
language
is a Dutchman! There we have it in a nutshell! No, unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a teacher of
English
as a foreign language to teenagers for a couple of years until I
gave up
teaching over poor pay. That was over half a century ago, but what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept of the
apostrophe being there to stand for an abbreviation, they didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get it?!"

I am talking only about "Its" here and in your example the word "boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys' thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only confuses the
average person or student. Keep it simple, as says my old classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you want to
approach
the problem through understanding exactly what happens when you boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying an egg
for the very first time for me! Apparently she used to get the oil so
hot that the egg spluttered wildly when she broke it into the frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives some nuts
and it brings little benefit to humanity. We should all go back to an
agrarian economy, believe in a flat earth and the geocentric map of the
solar system. We certainly shouldn't go running through the streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was dealing
with another acronym and felt that I had no option but to use the damned
apostrophe! I'll be damned if I can now recall which acronym it was.

Such is life! I am right at this moment listening to and partly watching
the New Year Day's Concert of 1989 with the VPO under Carlos Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42 minutes
of it, courtesy of some nutter who has got nothing better to do than to
make available the video of the full concert on YouTube! Bloody good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube. There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from the vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so much
people with nothing better to do, but people wanting to share with the
world the things that have helped and inspired them; and that is a filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of material on
YouTube as well about people wanting to share with other like-minded
people the things that give them joy. For we get the greatest joy in
life by giving and by sharing. I'll never forget the joy I got when I
gave a girl I know a watch I had foolishly bought on eBay. I didn't need
a watch, in any case. It was a nice two tone unisex watch and at first
she didn't want to accept it. But I could see that she liked it and I'll
never forget the joy in her eyes when she finally decided to accept it
as a no strings attached present from me. I could understand why at
first she did not want to accept it considering the yawning age gap
between us, and the fact that I had given her nice presents before. We
were both aware of the attraction between us and I guess she wanted to
keep some distance due to the age gap between us, which is perfectly
understandable. But seeing the joy in her eyes when she finally accepted
it when I stressed that it was a no strings attached present, made my
day. I was over the moon with the joy of giving, or sharing. We have
been good friends for several years now and our relationship is going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably the
very best rendition of that oeuvre ever. I first listened to that CD
years ago when it came to my notice at the local library. Listening to
it on some decent speakers at home was an eye (and ear) opener for me.
Mind you, the VPO is definitely one of the finest, if not the finest,
orchestras in the world. And under a conductor like Carlos Kleiber they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant critic,
for example. Interest, experience all come in. I remember listening to
some piano work played by a famous player who shall remain nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet version
of the same work and of course I took his advice and bought the George
Bolet version. And as soon as I put the disc in the CD player, I could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an education in
music even though I did not become a professional musician but I still
have the benefit of a pair of trained ears.
-- choro

Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.
Since you obviously like organ music and Bach, have a listen to this...
Amazing for a boy his age!
Truely astonishing! That 34 people dislked his playing has to be some
kind of evidence of evil in the world. Any word on the organ played?
I'd say a case of *sour grapes!* No, me know nofink about the organ but
I am sure if you are interested you can dig some info on the Internet.
Such talent. One has to stop being envious at my age and say, "I
never had it, and I never will!". I can still enjoy, though.
That's the spirit!
Magnificent! Yet I still have to say Biggs had Bach's soul within
him, although they are extremely subtle differences.
You know something? I was not even aware of his name yet I was astounded
both by his technique and his musicianship. But subtle differences
between great players is only natural. Not only that, there are also
subtle differences between different recordings of the same work by the
same instrumentalists brought about by different psychological moods etc.
Funny how most people know this as the "haunted house music". Any
word on the organ played? Biggs favored the D.A. Flentrop in Harvard
University's Busch-Reisinger Museum. Do you have an inkling how Bach,
himself, played the piece? Were organs pretty much the same in the
17th Century as they are now?
I very much doubt it. If you study the history of music, you will soon
come to realize that not even Concert A was standardized in those days.
Incidentally, the slightly higher pitched Concert A (as opposed to A=440
hertz) I find disturbing as I have the gift or the curse (depending on
the way you look at it) of hearing the Italian Solfeggio names (Doh,
Reh, Mi) of at least the main melody notes in my head while listening to
music. I remember once asking a famous classical guitarist whether he
was tuned high as I could see him playing an E chord which I kept
hearing as an F chord in my head. And he admitted to this by saying "but
only by 6 percent" which would make the A=440 into A=466 which would
cause my ears to hear an E (Mi) as an F (Fa). Though I seem to hear the
proper names of notes with A=415 which makes the music sound more
relaxed to me. But an E still introduces to me as an E. Though lately I
have started thinking that in old age I have started hearing things as
though played at a higher pitch which is confusing especially when
trying to follow a score!

Very nice. Somewhat different. I do prefer the pipe organ. Another
of my favorites is Biggs playing the Passacaglia and Fugue in C minor,
BWV 582
Sometimes, if you are overfamiliar with a work, it is difficult to
accept it played on another instrument. I remember once I heard a Bach
piece played on what sounded like a second rate flamenco guitar and I
loved that earthy sound and lack of sustain. I traced the CD and
listened to the same track again but this time the novelty had worn off
and I wondered what I had liked about this track when I first heard it.
He had his following, but more of a "pop" entertainer than a serious
classical organist, methinks.
The equivalent of a McDonald's burger to the real thing!
Don't forget his brother, George, whom, I think, we never saw. And
the candelabra on the piano. He also had short, fat fingers adorned
with rings, as I recall.
Oh, God! I don't want to know!
I don't knock them. They can certainly play better than me.
It's all PR and marketing. Ignorance is bliss, as they say. But if you
are aware of the versions by the truly great masters then you can't but
compare them in your mind.
We were just discussing classical music used in films in
rec.arts.music.past-films, and I had to mention The St. Matthew
Passion (Chorus - "Wir setzen uns mit Tränen nieder") heard in the
first two minutes of the film - actually used as the opening theme.


The full movie has just been removed by YouTube:

I am sorry but I am no fan of Bach's oratorios, masses or choral music
in general. I love his instrumental works especially the ones written
for solo instruments. I remember once emailing a radio classical music
program presenter that Bach's greatest works were the ones written with
the least amount of ink! And I stand by this statement of mine. In fact
the older I get the more I appreciate the artistry that goes into solo
works and chamber music. We do after all live in an age where we are
trying to be ecologically correct, aren't we? Why not apply this to
music as well?

Here listen to this if you have got the time. It will blow your mind off
if you are not biased that is!!!
or you might prefer this one which is equally good...

-- choro
 
E

Ed Cryer

On 16/11/2011 22:17, Mack A. Damia wrote:

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver (John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the
language's
country
of origin in rhymes with root rather than rout, though it
is hard
to say which is better or whether one is right and the
other
wrong.

I'm in England too, but we shouldn't be smug: just because
it came
from here, no reason to assume pronunciation - or
grammar, or
anything else - has remained unchanged here but changed in
USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct as it
matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to
time in
alt.usage.english. Both the "oo" and "ow" pronunciations
are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I
had just
watched an American movie on TV and had noticed in a scene
in which
two characters were discussing how to get somewhere that
one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where
UK-born
actor David Hewlett plays a Canadian: apparently the
Canadians have
pronunciations more like ours than the USians so this was a
kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about
changing it
yet
again and going into the definition of the words "eroticism"
and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or
pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being carried on
in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a
foreign
language in my teens and I never thought that I'd see a
Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression?
They
didn't
teach me either but I just added two and two together to
arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or "It
has" or
some such other expression and "didn't" is a shortened
version of
"did
not", while in, for example, "The boy's thingie" is a
contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has
*no*
apostrophe if it can simply be replaced by any of the words
in the
set
*my/your/his/her/its/our/your/their*. An example would be:
"Its size
is..." where "Its" can be replaced with "His/Her size is...".
Get
it?!

Though I never saw this subject explained so succinctly and so
clearly
in any textbook, I am afraid! But talking to an English
language
teacher
who was himself English, the foremost authority on the English
language
is a Dutchman! There we have it in a nutshell! No,
unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a
teacher of
English
as a foreign language to teenagers for a couple of years
until I
gave up
teaching over poor pay. That was over half a century ago, but
what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept
of the
apostrophe being there to stand for an abbreviation, they
didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it
isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction
but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in
the set
*my/your/his/her/its/our/your/their*. An example would be: "Its
size
is..." where "Its" can be replaced with "His/Her size is...".
Get it?!"

I am talking only about "Its" here and in your example the word
"boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys'
thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only
confuses the
average person or student. Keep it simple, as says my old
classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg
or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you want to
approach
the problem through understanding exactly what happens when you
boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying
an egg
for the very first time for me! Apparently she used to get the
oil so
hot that the egg spluttered wildly when she broke it into the
frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives
some nuts
and it brings little benefit to humanity. We should all go back
to an
agrarian economy, believe in a flat earth and the geocentric map
of the
solar system. We certainly shouldn't go running through the
streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they
should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them
there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was
dealing
with another acronym and felt that I had no option but to use the
damned
apostrophe! I'll be damned if I can now recall which acronym it
was.

Such is life! I am right at this moment listening to and partly
watching
the New Year Day's Concert of 1989 with the VPO under Carlos
Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42
minutes
of it, courtesy of some nutter who has got nothing better to do
than to
make available the video of the full concert on YouTube! Bloody
good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube.
There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from the
vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so much
people with nothing better to do, but people wanting to share with
the
world the things that have helped and inspired them; and that is a
filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of material on
YouTube as well about people wanting to share with other like-minded
people the things that give them joy. For we get the greatest joy in
life by giving and by sharing. I'll never forget the joy I got
when I
gave a girl I know a watch I had foolishly bought on eBay. I didn't
need
a watch, in any case. It was a nice two tone unisex watch and at
first
she didn't want to accept it. But I could see that she liked it and
I'll
never forget the joy in her eyes when she finally decided to
accept it
as a no strings attached present from me. I could understand why at
first she did not want to accept it considering the yawning age gap
between us, and the fact that I had given her nice presents
before. We
were both aware of the attraction between us and I guess she
wanted to
keep some distance due to the age gap between us, which is perfectly
understandable. But seeing the joy in her eyes when she finally
accepted
it when I stressed that it was a no strings attached present,
made my
day. I was over the moon with the joy of giving, or sharing. We have
been good friends for several years now and our relationship is
going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably
the
very best rendition of that oeuvre ever. I first listened to that CD
years ago when it came to my notice at the local library.
Listening to
it on some decent speakers at home was an eye (and ear) opener for
me.
Mind you, the VPO is definitely one of the finest, if not the
finest,
orchestras in the world. And under a conductor like Carlos Kleiber
they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant critic,
for example. Interest, experience all come in. I remember listening to
some piano work played by a famous player who shall remain
nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet version
of the same work and of course I took his advice and bought the George
Bolet version. And as soon as I put the disc in the CD player, I could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an education in
music even though I did not become a professional musician but I still
have the benefit of a pair of trained ears.
-- choro

Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.

Since you obviously like organ music and Bach, have a listen to this...
Amazing for a boy his age!


Also listen to the following...

...and here is a truly great artist playing the same Bach Toccata and
Fugue...

E. Power Biggs on the Pedal Harpsichord...absolutely amazing... not only
the playing but also the quality of the sound and the quality of the
recording...

And the other chap you mention? Virgil Fox? Did a YouTube search and
tried to listen to some of his stuff... well, I tried! Honestly I did
and you know what went through my mind: Oh, God!!! How awful!!!!

For a moment I thought I was having a nightmare as I recalled the
"pianist" Liberace!

But you know, these, I won't even call them second rate artists, *do*
serve a useful purpose if only to make us appreciate truly great artists
when we hear them! But one thing we mustn't do is not to get confused by
expressions such as "popular" or so-called "famous" artists as opposed
to truly great masters.

Composing of course is a great art. I doubt that works are just inspired
in a jiffy. It doesn't work out like that. If you read about Beethoven
you will note that he used to have a book in which he would scribble
tunes as they came to his head. Tunes are the building blocks of any
musical work. But they are only the start. The edifice is constructed
around such inspired tunes. Not everything that passes for music these
days is music. Good sound track material may be, but not music.
-- choro
That kid's good and no doubt will get better, but I can certainly tell
the difference between him and Richter.
Richter's more than technically good; he puts far more feeling into the
piece. It has a drama about it and a more cut and clipped feel than the
kid's.

Talking of musical prodigies (no, not Mozart, who I understand used to
produce whole scores for symphonies with hardly any crossings-out, as if
they came finished out of his head) look at this Greek boy on a
bouzouki. He looks not long out of a pram.
http://www.youtube.com/watch?v=_TMGARku0iA

Ed
The kid playing Bach's Toccata and Fugue in D minor is of course only 13
years old. Or was at the time which was in 2010, I believe. Of course he
is going to mature. As for Richter, he is one of the all time greats.
But do listen to E. Power Biggs playing the same work on the harpsichord
and listen very carefully. I am thankful to you for bringing me this
great keyboard player to my attention for I was not aware of his name
even. He is incredibly good. And the recording is also superb.

But I have come across another great musician; a singer this time. Here
watch this... Great stuff!!!
http://www.youtube.com/watch?v=usql_VSXn_0


You are right about Mozart, though I am sure there is some PR behind all
those stories about him. But that he was a prodigy, there is no doubt.
Also do not forget that most of his music is a bit formulaic, if you ask
me, and I have heard music by other composers of the time that was
somewhat indistinguishable from Mozart's music. This of course doesn't
detract one bit from the greatness of Mozart's music.

As for Beethoven, he broke new ground and we can safely say that he was
a revolutionary. He was also, at least to my opinion, the greatest
Romantic -- witness his piano sonatas! And therein lies his greatness.

The little Greek boy on the bouzouki shows what kids can accomplish but
he is not playing great music and he is still very immature which is
natural considering his age. I know I am being a bit tough on him but...

-- choro
I guess that's how Beethoven started, as a kid made to practise hours a
day on the piano. But just what turned him into the great genius who
would sit by a piano for ages just bashing out patterns to perfection,
well, that's beyond me.

There's something extremely manly and energetic about Beethoven's music;
whereas Mozart's has a lightness and beauty about it. But Mozart could
do the Beethovian minor key thing, though, when he tried. Have a listen
to the first movement of Piano Concerto 20; written in 1785 when B was
about 15, but it has the feel of Beethoven middle period about it.

Ed
 
M

Mack A. Damia

On 16/11/2011 22:17, Mack A. Damia wrote:

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver (John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the language's
country
of origin in rhymes with root rather than rout, though it is hard
to say which is better or whether one is right and the other
wrong.

I'm in England too, but we shouldn't be smug: just because it came
from here, no reason to assume pronunciation - or grammar, or
anything else - has remained unchanged here but changed in USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct as it matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to time in
alt.usage.english. Both the "oo" and "ow" pronunciations are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I had just
watched an American movie on TV and had noticed in a scene in which
two characters were discussing how to get somewhere that one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where UK-born
actor David Hewlett plays a Canadian: apparently the Canadians have
pronunciations more like ours than the USians so this was a kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about changing it
yet
again and going into the definition of the words "eroticism" and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being carried on in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a foreign
language in my teens and I never thought that I'd see a Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression? They
didn't
teach me either but I just added two and two together to arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or "It
has" or
some such other expression and "didn't" is a shortened version of
"did
not", while in, for example, "The boy's thingie" is a contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the
set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get
it?!

Though I never saw this subject explained so succinctly and so
clearly
in any textbook, I am afraid! But talking to an English language
teacher
who was himself English, the foremost authority on the English
language
is a Dutchman! There we have it in a nutshell! No, unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a teacher of
English
as a foreign language to teenagers for a couple of years until I
gave up
teaching over poor pay. That was over half a century ago, but what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept of the
apostrophe being there to stand for an abbreviation, they didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get it?!"

I am talking only about "Its" here and in your example the word "boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys' thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only confuses the
average person or student. Keep it simple, as says my old classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you want to
approach
the problem through understanding exactly what happens when you boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying an egg
for the very first time for me! Apparently she used to get the oil so
hot that the egg spluttered wildly when she broke it into the frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives some nuts
and it brings little benefit to humanity. We should all go back to an
agrarian economy, believe in a flat earth and the geocentric map of the
solar system. We certainly shouldn't go running through the streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was dealing
with another acronym and felt that I had no option but to use the damned
apostrophe! I'll be damned if I can now recall which acronym it was.

Such is life! I am right at this moment listening to and partly watching
the New Year Day's Concert of 1989 with the VPO under Carlos Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42 minutes
of it, courtesy of some nutter who has got nothing better to do than to
make available the video of the full concert on YouTube! Bloody good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube. There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from the vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so much
people with nothing better to do, but people wanting to share with the
world the things that have helped and inspired them; and that is a filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of material on
YouTube as well about people wanting to share with other like-minded
people the things that give them joy. For we get the greatest joy in
life by giving and by sharing. I'll never forget the joy I got when I
gave a girl I know a watch I had foolishly bought on eBay. I didn't need
a watch, in any case. It was a nice two tone unisex watch and at first
she didn't want to accept it. But I could see that she liked it and I'll
never forget the joy in her eyes when she finally decided to accept it
as a no strings attached present from me. I could understand why at
first she did not want to accept it considering the yawning age gap
between us, and the fact that I had given her nice presents before. We
were both aware of the attraction between us and I guess she wanted to
keep some distance due to the age gap between us, which is perfectly
understandable. But seeing the joy in her eyes when she finally accepted
it when I stressed that it was a no strings attached present, made my
day. I was over the moon with the joy of giving, or sharing. We have
been good friends for several years now and our relationship is going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably the
very best rendition of that oeuvre ever. I first listened to that CD
years ago when it came to my notice at the local library. Listening to
it on some decent speakers at home was an eye (and ear) opener for me.
Mind you, the VPO is definitely one of the finest, if not the finest,
orchestras in the world. And under a conductor like Carlos Kleiber they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant critic,
for example. Interest, experience all come in. I remember listening to
some piano work played by a famous player who shall remain nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet version
of the same work and of course I took his advice and bought the George
Bolet version. And as soon as I put the disc in the CD player, I could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an education in
music even though I did not become a professional musician but I still
have the benefit of a pair of trained ears.
-- choro

Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.

Since you obviously like organ music and Bach, have a listen to this...
Amazing for a boy his age!
Truely astonishing! That 34 people dislked his playing has to be some
kind of evidence of evil in the world. Any word on the organ played?
I'd say a case of *sour grapes!* No, me know nofink about the organ but
I am sure if you are interested you can dig some info on the Internet.
Such talent. One has to stop being envious at my age and say, "I
never had it, and I never will!". I can still enjoy, though.
That's the spirit!
Magnificent! Yet I still have to say Biggs had Bach's soul within
him, although they are extremely subtle differences.
You know something? I was not even aware of his name yet I was astounded
both by his technique and his musicianship. But subtle differences
between great players is only natural. Not only that, there are also
subtle differences between different recordings of the same work by the
same instrumentalists brought about by different psychological moods etc.
Funny how most people know this as the "haunted house music". Any
word on the organ played? Biggs favored the D.A. Flentrop in Harvard
University's Busch-Reisinger Museum. Do you have an inkling how Bach,
himself, played the piece? Were organs pretty much the same in the
17th Century as they are now?
I very much doubt it. If you study the history of music, you will soon
come to realize that not even Concert A was standardized in those days.
Incidentally, the slightly higher pitched Concert A (as opposed to A=440
hertz) I find disturbing as I have the gift or the curse (depending on
the way you look at it) of hearing the Italian Solfeggio names (Doh,
Reh, Mi) of at least the main melody notes in my head while listening to
music. I remember once asking a famous classical guitarist whether he
was tuned high as I could see him playing an E chord which I kept
hearing as an F chord in my head. And he admitted to this by saying "but
only by 6 percent" which would make the A=440 into A=466 which would
cause my ears to hear an E (Mi) as an F (Fa). Though I seem to hear the
proper names of notes with A=415 which makes the music sound more
relaxed to me. But an E still introduces to me as an E. Though lately I
have started thinking that in old age I have started hearing things as
though played at a higher pitch which is confusing especially when
trying to follow a score!

Very nice. Somewhat different. I do prefer the pipe organ. Another
of my favorites is Biggs playing the Passacaglia and Fugue in C minor,
BWV 582
Sometimes, if you are overfamiliar with a work, it is difficult to
accept it played on another instrument. I remember once I heard a Bach
piece played on what sounded like a second rate flamenco guitar and I
loved that earthy sound and lack of sustain. I traced the CD and
listened to the same track again but this time the novelty had worn off
and I wondered what I had liked about this track when I first heard it.
He had his following, but more of a "pop" entertainer than a serious
classical organist, methinks.
The equivalent of a McDonald's burger to the real thing!
Don't forget his brother, George, whom, I think, we never saw. And
the candelabra on the piano. He also had short, fat fingers adorned
with rings, as I recall.
Oh, God! I don't want to know!
I don't knock them. They can certainly play better than me.
It's all PR and marketing. Ignorance is bliss, as they say. But if you
are aware of the versions by the truly great masters then you can't but
compare them in your mind.
We were just discussing classical music used in films in
rec.arts.music.past-films, and I had to mention The St. Matthew
Passion (Chorus - "Wir setzen uns mit Tränen nieder") heard in the
first two minutes of the film - actually used as the opening theme.


The full movie has just been removed by YouTube:

I am sorry but I am no fan of Bach's oratorios, masses or choral music
in general. I love his instrumental works especially the ones written
for solo instruments. I remember once emailing a radio classical music
program presenter that Bach's greatest works were the ones written with
the least amount of ink! And I stand by this statement of mine. In fact
the older I get the more I appreciate the artistry that goes into solo
works and chamber music. We do after all live in an age where we are
trying to be ecologically correct, aren't we? Why not apply this to
music as well?

Here listen to this if you have got the time. It will blow your mind off
if you are not biased that is!!!
What can I say except, I didn't care for the beat, hard to dance to
and I give it a 75?

(Were you a Bandstand fan?)
or you might prefer this one which is equally good...
Just after the opening, I was expecting to go into The Beverly
Hillbillies theme.......or Dualing Banjos.

Not my cup of tea, which is not to say it's not exquisite to some
ears.

Okay......one of my all-time favorites conducted and played by one of
the best:

http://www.youtube.com/watch?v=sUgoBb8m1eE
 
C

choro

On 17/11/2011 00:42, choro wrote:
On 16/11/2011 22:17, Mack A. Damia wrote:

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver (John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the
language's
country
of origin in rhymes with root rather than rout, though it
is hard
to say which is better or whether one is right and the
other
wrong.

I'm in England too, but we shouldn't be smug: just because
it came
from here, no reason to assume pronunciation - or
grammar, or
anything else - has remained unchanged here but changed in
USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct as it
matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to
time in
alt.usage.english. Both the "oo" and "ow" pronunciations
are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I
had just
watched an American movie on TV and had noticed in a scene
in which
two characters were discussing how to get somewhere that
one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where
UK-born
actor David Hewlett plays a Canadian: apparently the
Canadians have
pronunciations more like ours than the USians so this was a
kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about
changing it
yet
again and going into the definition of the words "eroticism"
and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or
pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being carried on
in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a
foreign
language in my teens and I never thought that I'd see a
Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression?
They
didn't
teach me either but I just added two and two together to
arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or
"It
has" or
some such other expression and "didn't" is a shortened
version of
"did
not", while in, for example, "The boy's thingie" is a
contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has
*no*
apostrophe if it can simply be replaced by any of the words
in the
set
*my/your/his/her/its/our/your/their*. An example would be:
"Its size
is..." where "Its" can be replaced with "His/Her size is...".
Get
it?!

Though I never saw this subject explained so succinctly
and so
clearly
in any textbook, I am afraid! But talking to an English
language
teacher
who was himself English, the foremost authority on the
English
language
is a Dutchman! There we have it in a nutshell! No,
unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a
teacher of
English
as a foreign language to teenagers for a couple of years
until I
gave up
teaching over poor pay. That was over half a century ago, but
what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept
of the
apostrophe being there to stand for an abbreviation, they
didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it
isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction
but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has
*no*
apostrophe if it can simply be replaced by any of the words in
the set
*my/your/his/her/its/our/your/their*. An example would be: "Its
size
is..." where "Its" can be replaced with "His/Her size is...".
Get it?!"

I am talking only about "Its" here and in your example the word
"boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys'
thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only
confuses the
average person or student. Keep it simple, as says my old
classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg
or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you want to
approach
the problem through understanding exactly what happens when you
boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying
an egg
for the very first time for me! Apparently she used to get the
oil so
hot that the egg spluttered wildly when she broke it into the
frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives
some nuts
and it brings little benefit to humanity. We should all go back
to an
agrarian economy, believe in a flat earth and the geocentric map
of the
solar system. We certainly shouldn't go running through the
streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they
should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them
there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was
dealing
with another acronym and felt that I had no option but to use the
damned
apostrophe! I'll be damned if I can now recall which acronym it
was.

Such is life! I am right at this moment listening to and partly
watching
the New Year Day's Concert of 1989 with the VPO under Carlos
Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42
minutes
of it, courtesy of some nutter who has got nothing better to do
than to
make available the video of the full concert on YouTube! Bloody
good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube.
There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from the
vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so
much
people with nothing better to do, but people wanting to share with
the
world the things that have helped and inspired them; and that is a
filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of material on
YouTube as well about people wanting to share with other
like-minded
people the things that give them joy. For we get the greatest
joy in
life by giving and by sharing. I'll never forget the joy I got
when I
gave a girl I know a watch I had foolishly bought on eBay. I didn't
need
a watch, in any case. It was a nice two tone unisex watch and at
first
she didn't want to accept it. But I could see that she liked it and
I'll
never forget the joy in her eyes when she finally decided to
accept it
as a no strings attached present from me. I could understand why at
first she did not want to accept it considering the yawning age gap
between us, and the fact that I had given her nice presents
before. We
were both aware of the attraction between us and I guess she
wanted to
keep some distance due to the age gap between us, which is
perfectly
understandable. But seeing the joy in her eyes when she finally
accepted
it when I stressed that it was a no strings attached present,
made my
day. I was over the moon with the joy of giving, or sharing. We
have
been good friends for several years now and our relationship is
going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably
the
very best rendition of that oeuvre ever. I first listened to
that CD
years ago when it came to my notice at the local library.
Listening to
it on some decent speakers at home was an eye (and ear) opener for
me.
Mind you, the VPO is definitely one of the finest, if not the
finest,
orchestras in the world. And under a conductor like Carlos Kleiber
they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant critic,
for example. Interest, experience all come in. I remember
listening to
some piano work played by a famous player who shall remain
nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet
version
of the same work and of course I took his advice and bought the
George
Bolet version. And as soon as I put the disc in the CD player, I
could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an education in
music even though I did not become a professional musician but I
still
have the benefit of a pair of trained ears.
-- choro

Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.

Since you obviously like organ music and Bach, have a listen to this...
Amazing for a boy his age!


Also listen to the following...

...and here is a truly great artist playing the same Bach Toccata and
Fugue...

E. Power Biggs on the Pedal Harpsichord...absolutely amazing... not
only
the playing but also the quality of the sound and the quality of the
recording...

And the other chap you mention? Virgil Fox? Did a YouTube search and
tried to listen to some of his stuff... well, I tried! Honestly I did
and you know what went through my mind: Oh, God!!! How awful!!!!

For a moment I thought I was having a nightmare as I recalled the
"pianist" Liberace!

But you know, these, I won't even call them second rate artists, *do*
serve a useful purpose if only to make us appreciate truly great
artists
when we hear them! But one thing we mustn't do is not to get
confused by
expressions such as "popular" or so-called "famous" artists as opposed
to truly great masters.

Composing of course is a great art. I doubt that works are just
inspired
in a jiffy. It doesn't work out like that. If you read about Beethoven
you will note that he used to have a book in which he would scribble
tunes as they came to his head. Tunes are the building blocks of any
musical work. But they are only the start. The edifice is constructed
around such inspired tunes. Not everything that passes for music these
days is music. Good sound track material may be, but not music.
-- choro


That kid's good and no doubt will get better, but I can certainly tell
the difference between him and Richter.
Richter's more than technically good; he puts far more feeling into the
piece. It has a drama about it and a more cut and clipped feel than the
kid's.

Talking of musical prodigies (no, not Mozart, who I understand used to
produce whole scores for symphonies with hardly any crossings-out, as if
they came finished out of his head) look at this Greek boy on a
bouzouki. He looks not long out of a pram.
http://www.youtube.com/watch?v=_TMGARku0iA

Ed
The kid playing Bach's Toccata and Fugue in D minor is of course only 13
years old. Or was at the time which was in 2010, I believe. Of course he
is going to mature. As for Richter, he is one of the all time greats.
But do listen to E. Power Biggs playing the same work on the harpsichord
and listen very carefully. I am thankful to you for bringing me this
great keyboard player to my attention for I was not aware of his name
even. He is incredibly good. And the recording is also superb.

But I have come across another great musician; a singer this time. Here
watch this... Great stuff!!!
http://www.youtube.com/watch?v=usql_VSXn_0


You are right about Mozart, though I am sure there is some PR behind all
those stories about him. But that he was a prodigy, there is no doubt.
Also do not forget that most of his music is a bit formulaic, if you ask
me, and I have heard music by other composers of the time that was
somewhat indistinguishable from Mozart's music. This of course doesn't
detract one bit from the greatness of Mozart's music.

As for Beethoven, he broke new ground and we can safely say that he was
a revolutionary. He was also, at least to my opinion, the greatest
Romantic -- witness his piano sonatas! And therein lies his greatness.

The little Greek boy on the bouzouki shows what kids can accomplish but
he is not playing great music and he is still very immature which is
natural considering his age. I know I am being a bit tough on him but...

-- choro
I guess that's how Beethoven started, as a kid made to practise hours a
day on the piano. But just what turned him into the great genius who
would sit by a piano for ages just bashing out patterns to perfection,
well, that's beyond me.

There's something extremely manly and energetic about Beethoven's music;
whereas Mozart's has a lightness and beauty about it. But Mozart could
do the Beethovian minor key thing, though, when he tried. Have a listen
to the first movement of Piano Concerto 20; written in 1785 when B was
about 15, but it has the feel of Beethoven middle period about it.

Ed
Mozart was basically a court musician composing mostly pleasant music
for the courtiers to listen to, to while away their time. Of course, by
saying this I am not at all intimating that he wrote nothing else. Of
course he did. After all he was one of the all time greatest composers.
OTOH, Beethoven was a free spirit even though the aristocracy still
provided patronage for him but he wasn't in their employ. And that is a
fundamental difference. What you say about Beethoven's music being
"energetic" to me sounds "rebellious" and "revolutionary". He was a
rebel before his time!
-- choro
 
C

choro

On 16/11/2011 22:17, Mack A. Damia wrote:

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver (John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the language's
country
of origin in rhymes with root rather than rout, though it is hard
to say which is better or whether one is right and the other
wrong.

I'm in England too, but we shouldn't be smug: just because it came
from here, no reason to assume pronunciation - or grammar, or
anything else - has remained unchanged here but changed in USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct as it matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to time in
alt.usage.english. Both the "oo" and "ow" pronunciations are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I had just
watched an American movie on TV and had noticed in a scene in which
two characters were discussing how to get somewhere that one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where UK-born
actor David Hewlett plays a Canadian: apparently the Canadians have
pronunciations more like ours than the USians so this was a kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about changing it
yet
again and going into the definition of the words "eroticism" and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being carried on in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a foreign
language in my teens and I never thought that I'd see a Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression? They
didn't
teach me either but I just added two and two together to arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or "It
has" or
some such other expression and "didn't" is a shortened version of
"did
not", while in, for example, "The boy's thingie" is a contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the
set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get
it?!

Though I never saw this subject explained so succinctly and so
clearly
in any textbook, I am afraid! But talking to an English language
teacher
who was himself English, the foremost authority on the English
language
is a Dutchman! There we have it in a nutshell! No, unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a teacher of
English
as a foreign language to teenagers for a couple of years until I
gave up
teaching over poor pay. That was over half a century ago, but what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept of the
apostrophe being there to stand for an abbreviation, they didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get it?!"

I am talking only about "Its" here and in your example the word "boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys' thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only confuses the
average person or student. Keep it simple, as says my old classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you want to
approach
the problem through understanding exactly what happens when you boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying an egg
for the very first time for me! Apparently she used to get the oil so
hot that the egg spluttered wildly when she broke it into the frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives some nuts
and it brings little benefit to humanity. We should all go back to an
agrarian economy, believe in a flat earth and the geocentric map of the
solar system. We certainly shouldn't go running through the streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was dealing
with another acronym and felt that I had no option but to use the damned
apostrophe! I'll be damned if I can now recall which acronym it was.

Such is life! I am right at this moment listening to and partly watching
the New Year Day's Concert of 1989 with the VPO under Carlos Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42 minutes
of it, courtesy of some nutter who has got nothing better to do than to
make available the video of the full concert on YouTube! Bloody good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube. There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from the vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so much
people with nothing better to do, but people wanting to share with the
world the things that have helped and inspired them; and that is a filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of material on
YouTube as well about people wanting to share with other like-minded
people the things that give them joy. For we get the greatest joy in
life by giving and by sharing. I'll never forget the joy I got when I
gave a girl I know a watch I had foolishly bought on eBay. I didn't need
a watch, in any case. It was a nice two tone unisex watch and at first
she didn't want to accept it. But I could see that she liked it and I'll
never forget the joy in her eyes when she finally decided to accept it
as a no strings attached present from me. I could understand why at
first she did not want to accept it considering the yawning age gap
between us, and the fact that I had given her nice presents before. We
were both aware of the attraction between us and I guess she wanted to
keep some distance due to the age gap between us, which is perfectly
understandable. But seeing the joy in her eyes when she finally accepted
it when I stressed that it was a no strings attached present, made my
day. I was over the moon with the joy of giving, or sharing. We have
been good friends for several years now and our relationship is going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably the
very best rendition of that oeuvre ever. I first listened to that CD
years ago when it came to my notice at the local library. Listening to
it on some decent speakers at home was an eye (and ear) opener for me.
Mind you, the VPO is definitely one of the finest, if not the finest,
orchestras in the world. And under a conductor like Carlos Kleiber they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant critic,
for example. Interest, experience all come in. I remember listening to
some piano work played by a famous player who shall remain nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet version
of the same work and of course I took his advice and bought the George
Bolet version. And as soon as I put the disc in the CD player, I could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an education in
music even though I did not become a professional musician but I still
have the benefit of a pair of trained ears.
-- choro

Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.

Since you obviously like organ music and Bach, have a listen to this...
Amazing for a boy his age!

Truely astonishing! That 34 people dislked his playing has to be some
kind of evidence of evil in the world. Any word on the organ played?
I'd say a case of *sour grapes!* No, me know nofink about the organ but
I am sure if you are interested you can dig some info on the Internet.

Such talent. One has to stop being envious at my age and say, "I
never had it, and I never will!". I can still enjoy, though.
That's the spirit!
Also listen to the following...

Magnificent! Yet I still have to say Biggs had Bach's soul within
him, although they are extremely subtle differences.
You know something? I was not even aware of his name yet I was astounded
both by his technique and his musicianship. But subtle differences
between great players is only natural. Not only that, there are also
subtle differences between different recordings of the same work by the
same instrumentalists brought about by different psychological moods etc.
...and here is a truly great artist playing the same Bach Toccata and
Fugue...

Funny how most people know this as the "haunted house music". Any
word on the organ played? Biggs favored the D.A. Flentrop in Harvard
University's Busch-Reisinger Museum. Do you have an inkling how Bach,
himself, played the piece? Were organs pretty much the same in the
17th Century as they are now?
I very much doubt it. If you study the history of music, you will soon
come to realize that not even Concert A was standardized in those days.
Incidentally, the slightly higher pitched Concert A (as opposed to A=440
hertz) I find disturbing as I have the gift or the curse (depending on
the way you look at it) of hearing the Italian Solfeggio names (Doh,
Reh, Mi) of at least the main melody notes in my head while listening to
music. I remember once asking a famous classical guitarist whether he
was tuned high as I could see him playing an E chord which I kept
hearing as an F chord in my head. And he admitted to this by saying "but
only by 6 percent" which would make the A=440 into A=466 which would
cause my ears to hear an E (Mi) as an F (Fa). Though I seem to hear the
proper names of notes with A=415 which makes the music sound more
relaxed to me. But an E still introduces to me as an E. Though lately I
have started thinking that in old age I have started hearing things as
though played at a higher pitch which is confusing especially when
trying to follow a score!

E. Power Biggs on the Pedal Harpsichord...absolutely amazing... not only
the playing but also the quality of the sound and the quality of the
recording...

Very nice. Somewhat different. I do prefer the pipe organ. Another
of my favorites is Biggs playing the Passacaglia and Fugue in C minor,
BWV 582
Sometimes, if you are overfamiliar with a work, it is difficult to
accept it played on another instrument. I remember once I heard a Bach
piece played on what sounded like a second rate flamenco guitar and I
loved that earthy sound and lack of sustain. I traced the CD and
listened to the same track again but this time the novelty had worn off
and I wondered what I had liked about this track when I first heard it.
And the other chap you mention? Virgil Fox? Did a YouTube search and
tried to listen to some of his stuff... well, I tried! Honestly I did
and you know what went through my mind: Oh, God!!! How awful!!!!

He had his following, but more of a "pop" entertainer than a serious
classical organist, methinks.
The equivalent of a McDonald's burger to the real thing!
For a moment I thought I was having a nightmare as I recalled the
"pianist" Liberace!

Don't forget his brother, George, whom, I think, we never saw. And
the candelabra on the piano. He also had short, fat fingers adorned
with rings, as I recall.
Oh, God! I don't want to know!
But you know, these, I won't even call them second rate artists, *do*
serve a useful purpose if only to make us appreciate truly great artists
when we hear them! But one thing we mustn't do is not to get confused by
expressions such as "popular" or so-called "famous" artists as opposed
to truly great masters.

I don't knock them. They can certainly play better than me.
It's all PR and marketing. Ignorance is bliss, as they say. But if you
are aware of the versions by the truly great masters then you can't but
compare them in your mind.
Composing of course is a great art. I doubt that works are just inspired
in a jiffy. It doesn't work out like that. If you read about Beethoven
you will note that he used to have a book in which he would scribble
tunes as they came to his head. Tunes are the building blocks of any
musical work. But they are only the start. The edifice is constructed
around such inspired tunes. Not everything that passes for music these
days is music. Good sound track material may be, but not music.
-- choro

We were just discussing classical music used in films in
rec.arts.music.past-films, and I had to mention The St. Matthew
Passion (Chorus - "Wir setzen uns mit Tränen nieder") heard in the
first two minutes of the film - actually used as the opening theme.

http://www.youtube.com/watch?v=EaSvJZE3dCI

The full movie has just been removed by YouTube:

http://www.youtube.com/watch?v=7vo6WootWgE
I am sorry but I am no fan of Bach's oratorios, masses or choral music
in general. I love his instrumental works especially the ones written
for solo instruments. I remember once emailing a radio classical music
program presenter that Bach's greatest works were the ones written with
the least amount of ink! And I stand by this statement of mine. In fact
the older I get the more I appreciate the artistry that goes into solo
works and chamber music. We do after all live in an age where we are
trying to be ecologically correct, aren't we? Why not apply this to
music as well?

Here listen to this if you have got the time. It will blow your mind off
if you are not biased that is!!!
http://www.youtube.com/watch?v=f7s-wXZWT5o
What can I say except, I didn't care for the beat, hard to dance to
and I give it a 75?

(Were you a Bandstand fan?)
or you might prefer this one which is equally good...
http://www.youtube.com/watch?v=QVIkn0lE4Os
Just after the opening, I was expecting to go into The Beverly
Hillbillies theme.......or Dualing Banjos.

Not my cup of tea, which is not to say it's not exquisite to some
ears.

Okay......one of my all-time favorites conducted and played by one of
the best:

http://www.youtube.com/watch?v=sUgoBb8m1eE
I should have known that the Japanese music in the two YouTube videos
would not be to everyone's taste. It takes some getting used to to
appreciate such music. So, I'll forgive you. May be I should not have
got you dive in at the deep end especially in choppy waters!

Sorry but though Barenboim is not a bad conductor he is IMHO not one of
the greats. Neither is he as a pianist. Moreover, the recording is very
second rate and unless a recording has exceptional qualities I don't
like to lumber my hi-fi system with such second rate stuff.

The Chicago SO though is one of the finest orchestras in the world and
probably the finest US orchestra but you should listen to them under the
salty Sholti (for Solti being a Hungarian that's how the S in Solti is
pronounced, as an "sh"). They make is a formidable combination. BTW, did
you know that the Chicago SO or rather its rich sponsors opened the
purses and managed to attract some of the best central European
instrumentalists? And salty Sholti was ruthless in firing second rate
players in the orchestra. He was an absolute monster in this regard but
in the end the Chicaco SO emerged as one of the finest orchestras in the
world.
-- choro
 
J

John M Ward

I once stayed in an old dottage in the dountryside.
Death? I can't think of any other that we *all* get?
Wrinkles, perhaps. I'd rather have them than death, if there's a choice
being offered.
Let's hope that none of us gets it any time soon ...
Not yet: there's still so much to do first...
 
M

Mack A. Damia

On 17/11/2011 13:59, Mack A. Damia wrote:

On 16/11/2011 22:17, Mack A. Damia wrote:

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver (John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the language's
country
of origin in rhymes with root rather than rout, though it is hard
to say which is better or whether one is right and the other
wrong.

I'm in England too, but we shouldn't be smug: just because it came
from here, no reason to assume pronunciation - or grammar, or
anything else - has remained unchanged here but changed in USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct as it matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to time in
alt.usage.english. Both the "oo" and "ow" pronunciations are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I had just
watched an American movie on TV and had noticed in a scene in which
two characters were discussing how to get somewhere that one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where UK-born
actor David Hewlett plays a Canadian: apparently the Canadians have
pronunciations more like ours than the USians so this was a kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about changing it
yet
again and going into the definition of the words "eroticism" and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being carried on in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a foreign
language in my teens and I never thought that I'd see a Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression? They
didn't
teach me either but I just added two and two together to arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or "It
has" or
some such other expression and "didn't" is a shortened version of
"did
not", while in, for example, "The boy's thingie" is a contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the
set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get
it?!

Though I never saw this subject explained so succinctly and so
clearly
in any textbook, I am afraid! But talking to an English language
teacher
who was himself English, the foremost authority on the English
language
is a Dutchman! There we have it in a nutshell! No, unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a teacher of
English
as a foreign language to teenagers for a couple of years until I
gave up
teaching over poor pay. That was over half a century ago, but what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept of the
apostrophe being there to stand for an abbreviation, they didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get it?!"

I am talking only about "Its" here and in your example the word "boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys' thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only confuses the
average person or student. Keep it simple, as says my old classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you want to
approach
the problem through understanding exactly what happens when you boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying an egg
for the very first time for me! Apparently she used to get the oil so
hot that the egg spluttered wildly when she broke it into the frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives some nuts
and it brings little benefit to humanity. We should all go back to an
agrarian economy, believe in a flat earth and the geocentric map of the
solar system. We certainly shouldn't go running through the streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was dealing
with another acronym and felt that I had no option but to use the damned
apostrophe! I'll be damned if I can now recall which acronym it was.

Such is life! I am right at this moment listening to and partly watching
the New Year Day's Concert of 1989 with the VPO under Carlos Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42 minutes
of it, courtesy of some nutter who has got nothing better to do than to
make available the video of the full concert on YouTube! Bloody good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube. There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from the vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so much
people with nothing better to do, but people wanting to share with the
world the things that have helped and inspired them; and that is a filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of material on
YouTube as well about people wanting to share with other like-minded
people the things that give them joy. For we get the greatest joy in
life by giving and by sharing. I'll never forget the joy I got when I
gave a girl I know a watch I had foolishly bought on eBay. I didn't need
a watch, in any case. It was a nice two tone unisex watch and at first
she didn't want to accept it. But I could see that she liked it and I'll
never forget the joy in her eyes when she finally decided to accept it
as a no strings attached present from me. I could understand why at
first she did not want to accept it considering the yawning age gap
between us, and the fact that I had given her nice presents before. We
were both aware of the attraction between us and I guess she wanted to
keep some distance due to the age gap between us, which is perfectly
understandable. But seeing the joy in her eyes when she finally accepted
it when I stressed that it was a no strings attached present, made my
day. I was over the moon with the joy of giving, or sharing. We have
been good friends for several years now and our relationship is going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably the
very best rendition of that oeuvre ever. I first listened to that CD
years ago when it came to my notice at the local library. Listening to
it on some decent speakers at home was an eye (and ear) opener for me.
Mind you, the VPO is definitely one of the finest, if not the finest,
orchestras in the world. And under a conductor like Carlos Kleiber they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant critic,
for example. Interest, experience all come in. I remember listening to
some piano work played by a famous player who shall remain nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet version
of the same work and of course I took his advice and bought the George
Bolet version. And as soon as I put the disc in the CD player, I could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an education in
music even though I did not become a professional musician but I still
have the benefit of a pair of trained ears.
-- choro

Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.

Since you obviously like organ music and Bach, have a listen to this...
Amazing for a boy his age!

Truely astonishing! That 34 people dislked his playing has to be some
kind of evidence of evil in the world. Any word on the organ played?

I'd say a case of *sour grapes!* No, me know nofink about the organ but
I am sure if you are interested you can dig some info on the Internet.



Such talent. One has to stop being envious at my age and say, "I
never had it, and I never will!". I can still enjoy, though.

That's the spirit!


Also listen to the following...

Magnificent! Yet I still have to say Biggs had Bach's soul within
him, although they are extremely subtle differences.

You know something? I was not even aware of his name yet I was astounded
both by his technique and his musicianship. But subtle differences
between great players is only natural. Not only that, there are also
subtle differences between different recordings of the same work by the
same instrumentalists brought about by different psychological moods etc.


...and here is a truly great artist playing the same Bach Toccata and
Fugue...

Funny how most people know this as the "haunted house music". Any
word on the organ played? Biggs favored the D.A. Flentrop in Harvard
University's Busch-Reisinger Museum. Do you have an inkling how Bach,
himself, played the piece? Were organs pretty much the same in the
17th Century as they are now?

I very much doubt it. If you study the history of music, you will soon
come to realize that not even Concert A was standardized in those days.
Incidentally, the slightly higher pitched Concert A (as opposed to A=440
hertz) I find disturbing as I have the gift or the curse (depending on
the way you look at it) of hearing the Italian Solfeggio names (Doh,
Reh, Mi) of at least the main melody notes in my head while listening to
music. I remember once asking a famous classical guitarist whether he
was tuned high as I could see him playing an E chord which I kept
hearing as an F chord in my head. And he admitted to this by saying "but
only by 6 percent" which would make the A=440 into A=466 which would
cause my ears to hear an E (Mi) as an F (Fa). Though I seem to hear the
proper names of notes with A=415 which makes the music sound more
relaxed to me. But an E still introduces to me as an E. Though lately I
have started thinking that in old age I have started hearing things as
though played at a higher pitch which is confusing especially when
trying to follow a score!



E. Power Biggs on the Pedal Harpsichord...absolutely amazing... not only
the playing but also the quality of the sound and the quality of the
recording...

Very nice. Somewhat different. I do prefer the pipe organ. Another
of my favorites is Biggs playing the Passacaglia and Fugue in C minor,
BWV 582

Sometimes, if you are overfamiliar with a work, it is difficult to
accept it played on another instrument. I remember once I heard a Bach
piece played on what sounded like a second rate flamenco guitar and I
loved that earthy sound and lack of sustain. I traced the CD and
listened to the same track again but this time the novelty had worn off
and I wondered what I had liked about this track when I first heard it.


And the other chap you mention? Virgil Fox? Did a YouTube search and
tried to listen to some of his stuff... well, I tried! Honestly I did
and you know what went through my mind: Oh, God!!! How awful!!!!

He had his following, but more of a "pop" entertainer than a serious
classical organist, methinks.

The equivalent of a McDonald's burger to the real thing!


For a moment I thought I was having a nightmare as I recalled the
"pianist" Liberace!

Don't forget his brother, George, whom, I think, we never saw. And
the candelabra on the piano. He also had short, fat fingers adorned
with rings, as I recall.

Oh, God! I don't want to know!


But you know, these, I won't even call them second rate artists, *do*
serve a useful purpose if only to make us appreciate truly great artists
when we hear them! But one thing we mustn't do is not to get confused by
expressions such as "popular" or so-called "famous" artists as opposed
to truly great masters.

I don't knock them. They can certainly play better than me.

It's all PR and marketing. Ignorance is bliss, as they say. But if you
are aware of the versions by the truly great masters then you can't but
compare them in your mind.


Composing of course is a great art. I doubt that works are just inspired
in a jiffy. It doesn't work out like that. If you read about Beethoven
you will note that he used to have a book in which he would scribble
tunes as they came to his head. Tunes are the building blocks of any
musical work. But they are only the start. The edifice is constructed
around such inspired tunes. Not everything that passes for music these
days is music. Good sound track material may be, but not music.
-- choro

We were just discussing classical music used in films in
rec.arts.music.past-films, and I had to mention The St. Matthew
Passion (Chorus - "Wir setzen uns mit Tränen nieder") heard in the
first two minutes of the film - actually used as the opening theme.

http://www.youtube.com/watch?v=EaSvJZE3dCI

The full movie has just been removed by YouTube:

http://www.youtube.com/watch?v=7vo6WootWgE

I am sorry but I am no fan of Bach's oratorios, masses or choral music
in general. I love his instrumental works especially the ones written
for solo instruments. I remember once emailing a radio classical music
program presenter that Bach's greatest works were the ones written with
the least amount of ink! And I stand by this statement of mine. In fact
the older I get the more I appreciate the artistry that goes into solo
works and chamber music. We do after all live in an age where we are
trying to be ecologically correct, aren't we? Why not apply this to
music as well?

Here listen to this if you have got the time. It will blow your mind off
if you are not biased that is!!!
http://www.youtube.com/watch?v=f7s-wXZWT5o
What can I say except, I didn't care for the beat, hard to dance to
and I give it a 75?

(Were you a Bandstand fan?)
or you might prefer this one which is equally good...
http://www.youtube.com/watch?v=QVIkn0lE4Os
Just after the opening, I was expecting to go into The Beverly
Hillbillies theme.......or Dualing Banjos.

Not my cup of tea, which is not to say it's not exquisite to some
ears.

Okay......one of my all-time favorites conducted and played by one of
the best:

http://www.youtube.com/watch?v=sUgoBb8m1eE
I should have known that the Japanese music in the two YouTube videos
would not be to everyone's taste. It takes some getting used to to
appreciate such music. So, I'll forgive you. May be I should not have
got you dive in at the deep end especially in choppy waters!
Yes, I didn't mean to insult your expertise or passions with my
poorly-attempted jokes. I've heard this type of music before, and it
doesn't resonate with me at all. I need a definite emotionally-based
melody. This is even true (with me) with some of the great European
composers. But that's just me, and I respect and appreciate others'
points of views................
Sorry but though Barenboim is not a bad conductor he is IMHO not one of
the greats. Neither is he as a pianist. Moreover, the recording is very
second rate and unless a recording has exceptional qualities I don't
like to lumber my hi-fi system with such second rate stuff.
...........even if I don't agree with them. I thnk Barenboim is one of
the best. YMMV. This rendition of "Nimrod" also is one of the best
interpretations I have ever heard. It can be butchered as can any
other piece of music as you well know, and it takes a seasoned expert
to guide the orchestra and keep them on track according to the
conductor's expertise.
The Chicago SO though is one of the finest orchestras in the world and
probably the finest US orchestra but you should listen to them under the
salty Sholti (for Solti being a Hungarian that's how the S in Solti is
pronounced, as an "sh"). They make is a formidable combination. BTW, did
you know that the Chicago SO or rather its rich sponsors opened the
purses and managed to attract some of the best central European
instrumentalists? And salty Sholti was ruthless in firing second rate
players in the orchestra. He was an absolute monster in this regard but
in the end the Chicaco SO emerged as one of the finest orchestras in the
world.
I Know Sir Georg Solti; he was given an honorary knighthood (KBE)
after his naturarilzation. I am British by birth. I know his
conducting is superb, and he is ranked as one of the best.

But don't forget that Barenboim has also been awarded a KBE as well as
many other high honors from different nations. I consider him as fine
a conductor as Solti along with another favorite of mine, Zubin Mehta.
Yes, they all have their different styles and ways of interpreting
music, but they have all reached the pinnacle of their outstanding
careers.
 
M

Mack A. Damia

I once stayed in an old dottage in the dountryside.


Wrinkles, perhaps. I'd rather have them than death, if there's a choice
being offered.


Not yet: there's still so much to do first...
Don't know your age, but I am 64. "Will you still need me, willl you
still feed me?" (etc).

It didn't hit me when I turned 60; I think it was 62 when I first came
to the realization that I wasn't a young man any longer. And I
wondered where all the time had gone to; yet, when I think about it, I
have led a very interesting life full of twists and turns. But the
spectre of my mortality is always there; my two best friends in high
scxhool have passed away, and I have to hope that I'll have more time
to accomplish that which I presently have no knowledge of. I still
think I'll know it when I see it, but I always have had that strange
feeling that I'm being saved for "something". That may qualify me as a
paranoid loon in some books.
 
C

choro

On 17/11/2011 13:59, Mack A. Damia wrote:

On 16/11/2011 22:17, Mack A. Damia wrote:

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver (John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the language's
country
of origin in rhymes with root rather than rout, though it is hard
to say which is better or whether one is right and the other
wrong.

I'm in England too, but we shouldn't be smug: just because it came
from here, no reason to assume pronunciation - or grammar, or
anything else - has remained unchanged here but changed in USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct as it matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to time in
alt.usage.english. Both the "oo" and "ow" pronunciations are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I had just
watched an American movie on TV and had noticed in a scene in which
two characters were discussing how to get somewhere that one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where UK-born
actor David Hewlett plays a Canadian: apparently the Canadians have
pronunciations more like ours than the USians so this was a kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about changing it
yet
again and going into the definition of the words "eroticism" and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being carried on in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a foreign
language in my teens and I never thought that I'd see a Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression? They
didn't
teach me either but I just added two and two together to arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or "It
has" or
some such other expression and "didn't" is a shortened version of
"did
not", while in, for example, "The boy's thingie" is a contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the
set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get
it?!

Though I never saw this subject explained so succinctly and so
clearly
in any textbook, I am afraid! But talking to an English language
teacher
who was himself English, the foremost authority on the English
language
is a Dutchman! There we have it in a nutshell! No, unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a teacher of
English
as a foreign language to teenagers for a couple of years until I
gave up
teaching over poor pay. That was over half a century ago, but what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept of the
apostrophe being there to stand for an abbreviation, they didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get it?!"

I am talking only about "Its" here and in your example the word "boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys' thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only confuses the
average person or student. Keep it simple, as says my old classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you want to
approach
the problem through understanding exactly what happens when you boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying an egg
for the very first time for me! Apparently she used to get the oil so
hot that the egg spluttered wildly when she broke it into the frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives some nuts
and it brings little benefit to humanity. We should all go back to an
agrarian economy, believe in a flat earth and the geocentric map of the
solar system. We certainly shouldn't go running through the streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was dealing
with another acronym and felt that I had no option but to use the damned
apostrophe! I'll be damned if I can now recall which acronym it was.

Such is life! I am right at this moment listening to and partly watching
the New Year Day's Concert of 1989 with the VPO under Carlos Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42 minutes
of it, courtesy of some nutter who has got nothing better to do than to
make available the video of the full concert on YouTube! Bloody good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube. There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from the vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so much
people with nothing better to do, but people wanting to share with the
world the things that have helped and inspired them; and that is a filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of material on
YouTube as well about people wanting to share with other like-minded
people the things that give them joy. For we get the greatest joy in
life by giving and by sharing. I'll never forget the joy I got when I
gave a girl I know a watch I had foolishly bought on eBay. I didn't need
a watch, in any case. It was a nice two tone unisex watch and at first
she didn't want to accept it. But I could see that she liked it and I'll
never forget the joy in her eyes when she finally decided to accept it
as a no strings attached present from me. I could understand why at
first she did not want to accept it considering the yawning age gap
between us, and the fact that I had given her nice presents before. We
were both aware of the attraction between us and I guess she wanted to
keep some distance due to the age gap between us, which is perfectly
understandable. But seeing the joy in her eyes when she finally accepted
it when I stressed that it was a no strings attached present, made my
day. I was over the moon with the joy of giving, or sharing. We have
been good friends for several years now and our relationship is going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably the
very best rendition of that oeuvre ever. I first listened to that CD
years ago when it came to my notice at the local library. Listening to
it on some decent speakers at home was an eye (and ear) opener for me.
Mind you, the VPO is definitely one of the finest, if not the finest,
orchestras in the world. And under a conductor like Carlos Kleiber they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant critic,
for example. Interest, experience all come in. I remember listening to
some piano work played by a famous player who shall remain nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet version
of the same work and of course I took his advice and bought the George
Bolet version. And as soon as I put the disc in the CD player, I could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an education in
music even though I did not become a professional musician but I still
have the benefit of a pair of trained ears.
-- choro

Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.

Since you obviously like organ music and Bach, have a listen to this...
Amazing for a boy his age!

Truely astonishing! That 34 people dislked his playing has to be some
kind of evidence of evil in the world. Any word on the organ played?

I'd say a case of *sour grapes!* No, me know nofink about the organ but
I am sure if you are interested you can dig some info on the Internet.



Such talent. One has to stop being envious at my age and say, "I
never had it, and I never will!". I can still enjoy, though.

That's the spirit!


Also listen to the following...

Magnificent! Yet I still have to say Biggs had Bach's soul within
him, although they are extremely subtle differences.

You know something? I was not even aware of his name yet I was astounded
both by his technique and his musicianship. But subtle differences
between great players is only natural. Not only that, there are also
subtle differences between different recordings of the same work by the
same instrumentalists brought about by different psychological moods etc.


...and here is a truly great artist playing the same Bach Toccata and
Fugue...

Funny how most people know this as the "haunted house music". Any
word on the organ played? Biggs favored the D.A. Flentrop in Harvard
University's Busch-Reisinger Museum. Do you have an inkling how Bach,
himself, played the piece? Were organs pretty much the same in the
17th Century as they are now?

I very much doubt it. If you study the history of music, you will soon
come to realize that not even Concert A was standardized in those days.
Incidentally, the slightly higher pitched Concert A (as opposed to A=440
hertz) I find disturbing as I have the gift or the curse (depending on
the way you look at it) of hearing the Italian Solfeggio names (Doh,
Reh, Mi) of at least the main melody notes in my head while listening to
music. I remember once asking a famous classical guitarist whether he
was tuned high as I could see him playing an E chord which I kept
hearing as an F chord in my head. And he admitted to this by saying "but
only by 6 percent" which would make the A=440 into A=466 which would
cause my ears to hear an E (Mi) as an F (Fa). Though I seem to hear the
proper names of notes with A=415 which makes the music sound more
relaxed to me. But an E still introduces to me as an E. Though lately I
have started thinking that in old age I have started hearing things as
though played at a higher pitch which is confusing especially when
trying to follow a score!



E. Power Biggs on the Pedal Harpsichord...absolutely amazing... not only
the playing but also the quality of the sound and the quality of the
recording...

Very nice. Somewhat different. I do prefer the pipe organ. Another
of my favorites is Biggs playing the Passacaglia and Fugue in C minor,
BWV 582

Sometimes, if you are overfamiliar with a work, it is difficult to
accept it played on another instrument. I remember once I heard a Bach
piece played on what sounded like a second rate flamenco guitar and I
loved that earthy sound and lack of sustain. I traced the CD and
listened to the same track again but this time the novelty had worn off
and I wondered what I had liked about this track when I first heard it.


And the other chap you mention? Virgil Fox? Did a YouTube search and
tried to listen to some of his stuff... well, I tried! Honestly I did
and you know what went through my mind: Oh, God!!! How awful!!!!

He had his following, but more of a "pop" entertainer than a serious
classical organist, methinks.

The equivalent of a McDonald's burger to the real thing!


For a moment I thought I was having a nightmare as I recalled the
"pianist" Liberace!

Don't forget his brother, George, whom, I think, we never saw. And
the candelabra on the piano. He also had short, fat fingers adorned
with rings, as I recall.

Oh, God! I don't want to know!


But you know, these, I won't even call them second rate artists, *do*
serve a useful purpose if only to make us appreciate truly great artists
when we hear them! But one thing we mustn't do is not to get confused by
expressions such as "popular" or so-called "famous" artists as opposed
to truly great masters.

I don't knock them. They can certainly play better than me.

It's all PR and marketing. Ignorance is bliss, as they say. But if you
are aware of the versions by the truly great masters then you can't but
compare them in your mind.


Composing of course is a great art. I doubt that works are just inspired
in a jiffy. It doesn't work out like that. If you read about Beethoven
you will note that he used to have a book in which he would scribble
tunes as they came to his head. Tunes are the building blocks of any
musical work. But they are only the start. The edifice is constructed
around such inspired tunes. Not everything that passes for music these
days is music. Good sound track material may be, but not music.
-- choro

We were just discussing classical music used in films in
rec.arts.music.past-films, and I had to mention The St. Matthew
Passion (Chorus - "Wir setzen uns mit Tränen nieder") heard in the
first two minutes of the film - actually used as the opening theme.

http://www.youtube.com/watch?v=EaSvJZE3dCI

The full movie has just been removed by YouTube:

http://www.youtube.com/watch?v=7vo6WootWgE

I am sorry but I am no fan of Bach's oratorios, masses or choral music
in general. I love his instrumental works especially the ones written
for solo instruments. I remember once emailing a radio classical music
program presenter that Bach's greatest works were the ones written with
the least amount of ink! And I stand by this statement of mine. In fact
the older I get the more I appreciate the artistry that goes into solo
works and chamber music. We do after all live in an age where we are
trying to be ecologically correct, aren't we? Why not apply this to
music as well?

Here listen to this if you have got the time. It will blow your mind off
if you are not biased that is!!!
http://www.youtube.com/watch?v=f7s-wXZWT5o

What can I say except, I didn't care for the beat, hard to dance to
and I give it a 75?

(Were you a Bandstand fan?)

or you might prefer this one which is equally good...
http://www.youtube.com/watch?v=QVIkn0lE4Os

Just after the opening, I was expecting to go into The Beverly
Hillbillies theme.......or Dualing Banjos.

Not my cup of tea, which is not to say it's not exquisite to some
ears.

Okay......one of my all-time favorites conducted and played by one of
the best:

http://www.youtube.com/watch?v=sUgoBb8m1eE
I should have known that the Japanese music in the two YouTube videos
would not be to everyone's taste. It takes some getting used to to
appreciate such music. So, I'll forgive you. May be I should not have
got you dive in at the deep end especially in choppy waters!
Yes, I didn't mean to insult your expertise or passions with my
poorly-attempted jokes. I've heard this type of music before, and it
doesn't resonate with me at all. I need a definite emotionally-based
melody. This is even true (with me) with some of the great European
composers. But that's just me, and I respect and appreciate others'
points of views................
Sorry but though Barenboim is not a bad conductor he is IMHO not one of
the greats. Neither is he as a pianist. Moreover, the recording is very
second rate and unless a recording has exceptional qualities I don't
like to lumber my hi-fi system with such second rate stuff.
..........even if I don't agree with them. I thnk Barenboim is one of
the best. YMMV. This rendition of "Nimrod" also is one of the best
interpretations I have ever heard. It can be butchered as can any
other piece of music as you well know, and it takes a seasoned expert
to guide the orchestra and keep them on track according to the
conductor's expertise.
The Chicago SO though is one of the finest orchestras in the world and
probably the finest US orchestra but you should listen to them under the
salty Sholti (for Solti being a Hungarian that's how the S in Solti is
pronounced, as an "sh"). They make is a formidable combination. BTW, did
you know that the Chicago SO or rather its rich sponsors opened the
purses and managed to attract some of the best central European
instrumentalists? And salty Sholti was ruthless in firing second rate
players in the orchestra. He was an absolute monster in this regard but
in the end the Chicaco SO emerged as one of the finest orchestras in the
world.
I Know Sir Georg Solti; he was given an honorary knighthood (KBE)
after his naturarilzation. I am British by birth. I know his
conducting is superb, and he is ranked as one of the best.

But don't forget that Barenboim has also been awarded a KBE as well as
many other high honors from different nations. I consider him as fine
a conductor as Solti along with another favorite of mine, Zubin Mehta.
Yes, they all have their different styles and ways of interpreting
music, but they have all reached the pinnacle of their outstanding
careers.
I've heard some superb recordings under the baton of Barenboim but I
still don't regard him as one of the greats. Medals or titles do not
come into this. Don't care whether he has got a KBE or KBG! There!

His first wife Jacqueline du Pré was a fine cellist though.
-- choro
 
C

choro

I once stayed in an old dottage in the dountryside.


Wrinkles, perhaps. I'd rather have them than death, if there's a choice
being offered.


Not yet: there's still so much to do first...
It's just not fair on women. Men develop character as the older they get
while while women just rot!
-- choro
 
E

Ed Cryer

On 17/11/2011 12:47, Ed Cryer wrote:
On 17/11/2011 00:42, choro wrote:
On 16/11/2011 22:17, Mack A. Damia wrote:

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver
(John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the
language's
country
of origin in rhymes with root rather than rout,
though it
is hard
to say which is better or whether one is right and the
other
wrong.

I'm in England too, but we shouldn't be smug: just
because
it came
from here, no reason to assume pronunciation - or
grammar, or
anything else - has remained unchanged here but
changed in
USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct
as it
matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to
time in
alt.usage.english. Both the "oo" and "ow" pronunciations
are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I
had just
watched an American movie on TV and had noticed in a scene
in which
two characters were discussing how to get somewhere that
one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where
UK-born
actor David Hewlett plays a Canadian: apparently the
Canadians have
pronunciations more like ours than the USians so this was a
kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about
changing it
yet
again and going into the definition of the words "eroticism"
and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or
pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being
carried on
in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a
foreign
language in my teens and I never thought that I'd see a
Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression?
They
didn't
teach me either but I just added two and two together to
arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or
"It
has" or
some such other expression and "didn't" is a shortened
version of
"did
not", while in, for example, "The boy's thingie" is a
contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has
*no*
apostrophe if it can simply be replaced by any of the words
in the
set
*my/your/his/her/its/our/your/their*. An example would be:
"Its size
is..." where "Its" can be replaced with "His/Her size
is...".
Get
it?!

Though I never saw this subject explained so succinctly
and so
clearly
in any textbook, I am afraid! But talking to an English
language
teacher
who was himself English, the foremost authority on the
English
language
is a Dutchman! There we have it in a nutshell! No,
unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a
teacher of
English
as a foreign language to teenagers for a couple of years
until I
gave up
teaching over poor pay. That was over half a century ago,
but
what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept
of the
apostrophe being there to stand for an abbreviation, they
didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it
isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction
but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has
*no*
apostrophe if it can simply be replaced by any of the words in
the set
*my/your/his/her/its/our/your/their*. An example would be:
"Its
size
is..." where "Its" can be replaced with "His/Her size is...".
Get it?!"

I am talking only about "Its" here and in your example the
word
"boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys'
thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only
confuses the
average person or student. Keep it simple, as says my old
classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg
or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you
want to
approach
the problem through understanding exactly what happens when
you
boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying
an egg
for the very first time for me! Apparently she used to get the
oil so
hot that the egg spluttered wildly when she broke it into the
frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives
some nuts
and it brings little benefit to humanity. We should all go back
to an
agrarian economy, believe in a flat earth and the geocentric
map
of the
solar system. We certainly shouldn't go running through the
streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they
should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them
there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was
dealing
with another acronym and felt that I had no option but to use
the
damned
apostrophe! I'll be damned if I can now recall which acronym it
was.

Such is life! I am right at this moment listening to and partly
watching
the New Year Day's Concert of 1989 with the VPO under Carlos
Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42
minutes
of it, courtesy of some nutter who has got nothing better to do
than to
make available the video of the full concert on YouTube! Bloody
good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube.
There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from
the
vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so
much
people with nothing better to do, but people wanting to share
with
the
world the things that have helped and inspired them; and that
is a
filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of
material on
YouTube as well about people wanting to share with other
like-minded
people the things that give them joy. For we get the greatest
joy in
life by giving and by sharing. I'll never forget the joy I got
when I
gave a girl I know a watch I had foolishly bought on eBay. I
didn't
need
a watch, in any case. It was a nice two tone unisex watch and at
first
she didn't want to accept it. But I could see that she liked it
and
I'll
never forget the joy in her eyes when she finally decided to
accept it
as a no strings attached present from me. I could understand
why at
first she did not want to accept it considering the yawning age
gap
between us, and the fact that I had given her nice presents
before. We
were both aware of the attraction between us and I guess she
wanted to
keep some distance due to the age gap between us, which is
perfectly
understandable. But seeing the joy in her eyes when she finally
accepted
it when I stressed that it was a no strings attached present,
made my
day. I was over the moon with the joy of giving, or sharing. We
have
been good friends for several years now and our relationship is
going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably
the
very best rendition of that oeuvre ever. I first listened to
that CD
years ago when it came to my notice at the local library.
Listening to
it on some decent speakers at home was an eye (and ear) opener for
me.
Mind you, the VPO is definitely one of the finest, if not the
finest,
orchestras in the world. And under a conductor like Carlos Kleiber
they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant
critic,
for example. Interest, experience all come in. I remember
listening to
some piano work played by a famous player who shall remain
nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet
version
of the same work and of course I took his advice and bought the
George
Bolet version. And as soon as I put the disc in the CD player, I
could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an
education in
music even though I did not become a professional musician but I
still
have the benefit of a pair of trained ears.
-- choro

Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he
more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.

Since you obviously like organ music and Bach, have a listen to
this...
Amazing for a boy his age!


Also listen to the following...

...and here is a truly great artist playing the same Bach Toccata and
Fugue...

E. Power Biggs on the Pedal Harpsichord...absolutely amazing... not
only
the playing but also the quality of the sound and the quality of the
recording...

And the other chap you mention? Virgil Fox? Did a YouTube search and
tried to listen to some of his stuff... well, I tried! Honestly I did
and you know what went through my mind: Oh, God!!! How awful!!!!

For a moment I thought I was having a nightmare as I recalled the
"pianist" Liberace!

But you know, these, I won't even call them second rate artists, *do*
serve a useful purpose if only to make us appreciate truly great
artists
when we hear them! But one thing we mustn't do is not to get
confused by
expressions such as "popular" or so-called "famous" artists as opposed
to truly great masters.

Composing of course is a great art. I doubt that works are just
inspired
in a jiffy. It doesn't work out like that. If you read about Beethoven
you will note that he used to have a book in which he would scribble
tunes as they came to his head. Tunes are the building blocks of any
musical work. But they are only the start. The edifice is constructed
around such inspired tunes. Not everything that passes for music these
days is music. Good sound track material may be, but not music.
-- choro


That kid's good and no doubt will get better, but I can certainly tell
the difference between him and Richter.
Richter's more than technically good; he puts far more feeling into the
piece. It has a drama about it and a more cut and clipped feel than the
kid's.

Talking of musical prodigies (no, not Mozart, who I understand used to
produce whole scores for symphonies with hardly any crossings-out,
as if
they came finished out of his head) look at this Greek boy on a
bouzouki. He looks not long out of a pram.
http://www.youtube.com/watch?v=_TMGARku0iA

Ed

The kid playing Bach's Toccata and Fugue in D minor is of course only 13
years old. Or was at the time which was in 2010, I believe. Of course he
is going to mature. As for Richter, he is one of the all time greats.
But do listen to E. Power Biggs playing the same work on the harpsichord
and listen very carefully. I am thankful to you for bringing me this
great keyboard player to my attention for I was not aware of his name
even. He is incredibly good. And the recording is also superb.

But I have come across another great musician; a singer this time. Here
watch this... Great stuff!!!
http://www.youtube.com/watch?v=usql_VSXn_0


You are right about Mozart, though I am sure there is some PR behind all
those stories about him. But that he was a prodigy, there is no doubt.
Also do not forget that most of his music is a bit formulaic, if you ask
me, and I have heard music by other composers of the time that was
somewhat indistinguishable from Mozart's music. This of course doesn't
detract one bit from the greatness of Mozart's music.

As for Beethoven, he broke new ground and we can safely say that he was
a revolutionary. He was also, at least to my opinion, the greatest
Romantic -- witness his piano sonatas! And therein lies his greatness.

The little Greek boy on the bouzouki shows what kids can accomplish but
he is not playing great music and he is still very immature which is
natural considering his age. I know I am being a bit tough on him but...

-- choro
I guess that's how Beethoven started, as a kid made to practise hours a
day on the piano. But just what turned him into the great genius who
would sit by a piano for ages just bashing out patterns to perfection,
well, that's beyond me.

There's something extremely manly and energetic about Beethoven's music;
whereas Mozart's has a lightness and beauty about it. But Mozart could
do the Beethovian minor key thing, though, when he tried. Have a listen
to the first movement of Piano Concerto 20; written in 1785 when B was
about 15, but it has the feel of Beethoven middle period about it.

Ed
Mozart was basically a court musician composing mostly pleasant music
for the courtiers to listen to, to while away their time. Of course, by
saying this I am not at all intimating that he wrote nothing else. Of
course he did. After all he was one of the all time greatest composers.
OTOH, Beethoven was a free spirit even though the aristocracy still
provided patronage for him but he wasn't in their employ. And that is a
fundamental difference. What you say about Beethoven's music being
"energetic" to me sounds "rebellious" and "revolutionary". He was a
rebel before his time!
-- choro

You're confusing Mozart with Haydn. Mozart was quite a rebel.

As for Beethoven, he didn't know the line between rebellion and
self-important, overweaning arrogance. He seems to have been utterly
unbearable as a human being, for all that I just adore his music.

Ed
 
J

J. P. Gilliver (John)

etc.

Can we _please_ learn to snip a bit (-:?
[]
Funny how most people know this as the "haunted house music". Any
It's been used as atmospheric music so much that it's a hackneyed cliché
- even come out the other side now such that it's now used ironically
....
word on the organ played? Biggs favored the D.A. Flentrop in Harvard
University's Busch-Reisinger Museum. Do you have an inkling how Bach,
himself, played the piece? Were organs pretty much the same in the
17th Century as they are now?
(I like Jane Parker-Smith on the Westminster Cathedral one.)
Very nice. Somewhat different. I do prefer the pipe organ. Another
[]
For something else different ... you may know John Williams (the
classical guitarist, not the Star Wars composer). This is one of the
things he does on his days off (or did in 1980). I like to think Bach
would have approved ...
(sorry about the sound quality, this was the best I could find). Listen
with an open mind: I think the essence of the piece is definitely there.

As with the original pipe organ version - listen to it loud! (And do
stick with it.)
 
M

Mack A. Damia

On 17/11/2011 18:53, Mack A. Damia wrote:

On 17/11/2011 13:59, Mack A. Damia wrote:

On 16/11/2011 22:17, Mack A. Damia wrote:

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver (John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the language's
country
of origin in rhymes with root rather than rout, though it is hard
to say which is better or whether one is right and the other
wrong.

I'm in England too, but we shouldn't be smug: just because it came
from here, no reason to assume pronunciation - or grammar, or
anything else - has remained unchanged here but changed in USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct as it matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to time in
alt.usage.english. Both the "oo" and "ow" pronunciations are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I had just
watched an American movie on TV and had noticed in a scene in which
two characters were discussing how to get somewhere that one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where UK-born
actor David Hewlett plays a Canadian: apparently the Canadians have
pronunciations more like ours than the USians so this was a kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about changing it
yet
again and going into the definition of the words "eroticism" and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being carried on in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a foreign
language in my teens and I never thought that I'd see a Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression? They
didn't
teach me either but I just added two and two together to arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or "It
has" or
some such other expression and "didn't" is a shortened version of
"did
not", while in, for example, "The boy's thingie" is a contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the
set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get
it?!

Though I never saw this subject explained so succinctly and so
clearly
in any textbook, I am afraid! But talking to an English language
teacher
who was himself English, the foremost authority on the English
language
is a Dutchman! There we have it in a nutshell! No, unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a teacher of
English
as a foreign language to teenagers for a couple of years until I
gave up
teaching over poor pay. That was over half a century ago, but what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept of the
apostrophe being there to stand for an abbreviation, they didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has *no*
apostrophe if it can simply be replaced by any of the words in the set
*my/your/his/her/its/our/your/their*. An example would be: "Its size
is..." where "Its" can be replaced with "His/Her size is...". Get it?!"

I am talking only about "Its" here and in your example the word "boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys' thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only confuses the
average person or student. Keep it simple, as says my old classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you want to
approach
the problem through understanding exactly what happens when you boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying an egg
for the very first time for me! Apparently she used to get the oil so
hot that the egg spluttered wildly when she broke it into the frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives some nuts
and it brings little benefit to humanity. We should all go back to an
agrarian economy, believe in a flat earth and the geocentric map of the
solar system. We certainly shouldn't go running through the streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was dealing
with another acronym and felt that I had no option but to use the damned
apostrophe! I'll be damned if I can now recall which acronym it was.

Such is life! I am right at this moment listening to and partly watching
the New Year Day's Concert of 1989 with the VPO under Carlos Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42 minutes
of it, courtesy of some nutter who has got nothing better to do than to
make available the video of the full concert on YouTube! Bloody good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube. There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from the vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so much
people with nothing better to do, but people wanting to share with the
world the things that have helped and inspired them; and that is a filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of material on
YouTube as well about people wanting to share with other like-minded
people the things that give them joy. For we get the greatest joy in
life by giving and by sharing. I'll never forget the joy I got when I
gave a girl I know a watch I had foolishly bought on eBay. I didn't need
a watch, in any case. It was a nice two tone unisex watch and at first
she didn't want to accept it. But I could see that she liked it and I'll
never forget the joy in her eyes when she finally decided to accept it
as a no strings attached present from me. I could understand why at
first she did not want to accept it considering the yawning age gap
between us, and the fact that I had given her nice presents before. We
were both aware of the attraction between us and I guess she wanted to
keep some distance due to the age gap between us, which is perfectly
understandable. But seeing the joy in her eyes when she finally accepted
it when I stressed that it was a no strings attached present, made my
day. I was over the moon with the joy of giving, or sharing. We have
been good friends for several years now and our relationship is going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably the
very best rendition of that oeuvre ever. I first listened to that CD
years ago when it came to my notice at the local library. Listening to
it on some decent speakers at home was an eye (and ear) opener for me.
Mind you, the VPO is definitely one of the finest, if not the finest,
orchestras in the world. And under a conductor like Carlos Kleiber they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant critic,
for example. Interest, experience all come in. I remember listening to
some piano work played by a famous player who shall remain nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet version
of the same work and of course I took his advice and bought the George
Bolet version. And as soon as I put the disc in the CD player, I could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an education in
music even though I did not become a professional musician but I still
have the benefit of a pair of trained ears.
-- choro

Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.

Since you obviously like organ music and Bach, have a listen to this...
Amazing for a boy his age!

Truely astonishing! That 34 people dislked his playing has to be some
kind of evidence of evil in the world. Any word on the organ played?

I'd say a case of *sour grapes!* No, me know nofink about the organ but
I am sure if you are interested you can dig some info on the Internet.



Such talent. One has to stop being envious at my age and say, "I
never had it, and I never will!". I can still enjoy, though.

That's the spirit!


Also listen to the following...

Magnificent! Yet I still have to say Biggs had Bach's soul within
him, although they are extremely subtle differences.

You know something? I was not even aware of his name yet I was astounded
both by his technique and his musicianship. But subtle differences
between great players is only natural. Not only that, there are also
subtle differences between different recordings of the same work by the
same instrumentalists brought about by different psychological moods etc.


...and here is a truly great artist playing the same Bach Toccata and
Fugue...

Funny how most people know this as the "haunted house music". Any
word on the organ played? Biggs favored the D.A. Flentrop in Harvard
University's Busch-Reisinger Museum. Do you have an inkling how Bach,
himself, played the piece? Were organs pretty much the same in the
17th Century as they are now?

I very much doubt it. If you study the history of music, you will soon
come to realize that not even Concert A was standardized in those days.
Incidentally, the slightly higher pitched Concert A (as opposed to A=440
hertz) I find disturbing as I have the gift or the curse (depending on
the way you look at it) of hearing the Italian Solfeggio names (Doh,
Reh, Mi) of at least the main melody notes in my head while listening to
music. I remember once asking a famous classical guitarist whether he
was tuned high as I could see him playing an E chord which I kept
hearing as an F chord in my head. And he admitted to this by saying "but
only by 6 percent" which would make the A=440 into A=466 which would
cause my ears to hear an E (Mi) as an F (Fa). Though I seem to hear the
proper names of notes with A=415 which makes the music sound more
relaxed to me. But an E still introduces to me as an E. Though lately I
have started thinking that in old age I have started hearing things as
though played at a higher pitch which is confusing especially when
trying to follow a score!



E. Power Biggs on the Pedal Harpsichord...absolutely amazing... not only
the playing but also the quality of the sound and the quality of the
recording...

Very nice. Somewhat different. I do prefer the pipe organ. Another
of my favorites is Biggs playing the Passacaglia and Fugue in C minor,
BWV 582

Sometimes, if you are overfamiliar with a work, it is difficult to
accept it played on another instrument. I remember once I heard a Bach
piece played on what sounded like a second rate flamenco guitar and I
loved that earthy sound and lack of sustain. I traced the CD and
listened to the same track again but this time the novelty had worn off
and I wondered what I had liked about this track when I first heard it.


And the other chap you mention? Virgil Fox? Did a YouTube search and
tried to listen to some of his stuff... well, I tried! Honestly I did
and you know what went through my mind: Oh, God!!! How awful!!!!

He had his following, but more of a "pop" entertainer than a serious
classical organist, methinks.

The equivalent of a McDonald's burger to the real thing!


For a moment I thought I was having a nightmare as I recalled the
"pianist" Liberace!

Don't forget his brother, George, whom, I think, we never saw. And
the candelabra on the piano. He also had short, fat fingers adorned
with rings, as I recall.

Oh, God! I don't want to know!


But you know, these, I won't even call them second rate artists, *do*
serve a useful purpose if only to make us appreciate truly great artists
when we hear them! But one thing we mustn't do is not to get confused by
expressions such as "popular" or so-called "famous" artists as opposed
to truly great masters.

I don't knock them. They can certainly play better than me.

It's all PR and marketing. Ignorance is bliss, as they say. But if you
are aware of the versions by the truly great masters then you can't but
compare them in your mind.


Composing of course is a great art. I doubt that works are just inspired
in a jiffy. It doesn't work out like that. If you read about Beethoven
you will note that he used to have a book in which he would scribble
tunes as they came to his head. Tunes are the building blocks of any
musical work. But they are only the start. The edifice is constructed
around such inspired tunes. Not everything that passes for music these
days is music. Good sound track material may be, but not music.
-- choro

We were just discussing classical music used in films in
rec.arts.music.past-films, and I had to mention The St. Matthew
Passion (Chorus - "Wir setzen uns mit Tränen nieder") heard in the
first two minutes of the film - actually used as the opening theme.

http://www.youtube.com/watch?v=EaSvJZE3dCI

The full movie has just been removed by YouTube:

http://www.youtube.com/watch?v=7vo6WootWgE

I am sorry but I am no fan of Bach's oratorios, masses or choral music
in general. I love his instrumental works especially the ones written
for solo instruments. I remember once emailing a radio classical music
program presenter that Bach's greatest works were the ones written with
the least amount of ink! And I stand by this statement of mine. In fact
the older I get the more I appreciate the artistry that goes into solo
works and chamber music. We do after all live in an age where we are
trying to be ecologically correct, aren't we? Why not apply this to
music as well?

Here listen to this if you have got the time. It will blow your mind off
if you are not biased that is!!!
http://www.youtube.com/watch?v=f7s-wXZWT5o

What can I say except, I didn't care for the beat, hard to dance to
and I give it a 75?

(Were you a Bandstand fan?)

or you might prefer this one which is equally good...
http://www.youtube.com/watch?v=QVIkn0lE4Os

Just after the opening, I was expecting to go into The Beverly
Hillbillies theme.......or Dualing Banjos.

Not my cup of tea, which is not to say it's not exquisite to some
ears.

Okay......one of my all-time favorites conducted and played by one of
the best:

http://www.youtube.com/watch?v=sUgoBb8m1eE

I should have known that the Japanese music in the two YouTube videos
would not be to everyone's taste. It takes some getting used to to
appreciate such music. So, I'll forgive you. May be I should not have
got you dive in at the deep end especially in choppy waters!
Yes, I didn't mean to insult your expertise or passions with my
poorly-attempted jokes. I've heard this type of music before, and it
doesn't resonate with me at all. I need a definite emotionally-based
melody. This is even true (with me) with some of the great European
composers. But that's just me, and I respect and appreciate others'
points of views................
Sorry but though Barenboim is not a bad conductor he is IMHO not one of
the greats. Neither is he as a pianist. Moreover, the recording is very
second rate and unless a recording has exceptional qualities I don't
like to lumber my hi-fi system with such second rate stuff.
..........even if I don't agree with them. I thnk Barenboim is one of
the best. YMMV. This rendition of "Nimrod" also is one of the best
interpretations I have ever heard. It can be butchered as can any
other piece of music as you well know, and it takes a seasoned expert
to guide the orchestra and keep them on track according to the
conductor's expertise.
The Chicago SO though is one of the finest orchestras in the world and
probably the finest US orchestra but you should listen to them under the
salty Sholti (for Solti being a Hungarian that's how the S in Solti is
pronounced, as an "sh"). They make is a formidable combination. BTW, did
you know that the Chicago SO or rather its rich sponsors opened the
purses and managed to attract some of the best central European
instrumentalists? And salty Sholti was ruthless in firing second rate
players in the orchestra. He was an absolute monster in this regard but
in the end the Chicaco SO emerged as one of the finest orchestras in the
world.
I Know Sir Georg Solti; he was given an honorary knighthood (KBE)
after his naturarilzation. I am British by birth. I know his
conducting is superb, and he is ranked as one of the best.

But don't forget that Barenboim has also been awarded a KBE as well as
many other high honors from different nations. I consider him as fine
a conductor as Solti along with another favorite of mine, Zubin Mehta.
Yes, they all have their different styles and ways of interpreting
music, but they have all reached the pinnacle of their outstanding
careers.
I've heard some superb recordings under the baton of Barenboim but I
still don't regard him as one of the greats. Medals or titles do not
come into this. Don't care whether he has got a KBE or KBG! There!
In all fairness to Barenboim and others, one doesn't get a knighthood
for, say, playing Beethoven's 5th on the kazoo. It's for
extraordinary and meritorious service/activity/performance in a given
discipline or art. Same with the other foreign-based honors. They
don't come easy!

So there (back attcha).
 
M

Mack A. Damia

On 17/11/2011 13:59, choro wrote:
On 17/11/2011 12:47, Ed Cryer wrote:
On 17/11/2011 00:42, choro wrote:
On 16/11/2011 22:17, Mack A. Damia wrote:

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver
(John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the
language's
country
of origin in rhymes with root rather than rout,
though it
is hard
to say which is better or whether one is right and the
other
wrong.

I'm in England too, but we shouldn't be smug: just
because
it came
from here, no reason to assume pronunciation - or
grammar, or
anything else - has remained unchanged here but
changed in
USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct
as it
matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to
time in
alt.usage.english. Both the "oo" and "ow" pronunciations
are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I
had just
watched an American movie on TV and had noticed in a scene
in which
two characters were discussing how to get somewhere that
one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis where
UK-born
actor David Hewlett plays a Canadian: apparently the
Canadians have
pronunciations more like ours than the USians so this was a
kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about
changing it
yet
again and going into the definition of the words "eroticism"
and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or
pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being
carried on
in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a
foreign
language in my teens and I never thought that I'd see a
Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression?
They
didn't
teach me either but I just added two and two together to
arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or
"It
has" or
some such other expression and "didn't" is a shortened
version of
"did
not", while in, for example, "The boy's thingie" is a
contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has
*no*
apostrophe if it can simply be replaced by any of the words
in the
set
*my/your/his/her/its/our/your/their*. An example would be:
"Its size
is..." where "Its" can be replaced with "His/Her size
is...".
Get
it?!

Though I never saw this subject explained so succinctly
and so
clearly
in any textbook, I am afraid! But talking to an English
language
teacher
who was himself English, the foremost authority on the
English
language
is a Dutchman! There we have it in a nutshell! No,
unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a
teacher of
English
as a foreign language to teenagers for a couple of years
until I
gave up
teaching over poor pay. That was over half a century ago,
but
what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this concept
of the
apostrophe being there to stand for an abbreviation, they
didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it
isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction
but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I say?...

"But bear all this in mind with the *caveat* that "its" has
*no*
apostrophe if it can simply be replaced by any of the words in
the set
*my/your/his/her/its/our/your/their*. An example would be:
"Its
size
is..." where "Its" can be replaced with "His/Her size is...".
Get it?!"

I am talking only about "Its" here and in your example the
word
"boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys'
thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only
confuses the
average person or student. Keep it simple, as says my old
classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg
or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you
want to
approach
the problem through understanding exactly what happens when
you
boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried frying
an egg
for the very first time for me! Apparently she used to get the
oil so
hot that the egg spluttered wildly when she broke it into the
frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives
some nuts
and it brings little benefit to humanity. We should all go back
to an
agrarian economy, believe in a flat earth and the geocentric
map
of the
solar system. We certainly shouldn't go running through the
streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they
should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them
there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was
dealing
with another acronym and felt that I had no option but to use
the
damned
apostrophe! I'll be damned if I can now recall which acronym it
was.

Such is life! I am right at this moment listening to and partly
watching
the New Year Day's Concert of 1989 with the VPO under Carlos
Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour and 42
minutes
of it, courtesy of some nutter who has got nothing better to do
than to
make available the video of the full concert on YouTube! Bloody
good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube.
There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from
the
vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so
much
people with nothing better to do, but people wanting to share
with
the
world the things that have helped and inspired them; and that
is a
filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of
material on
YouTube as well about people wanting to share with other
like-minded
people the things that give them joy. For we get the greatest
joy in
life by giving and by sharing. I'll never forget the joy I got
when I
gave a girl I know a watch I had foolishly bought on eBay. I
didn't
need
a watch, in any case. It was a nice two tone unisex watch and at
first
she didn't want to accept it. But I could see that she liked it
and
I'll
never forget the joy in her eyes when she finally decided to
accept it
as a no strings attached present from me. I could understand
why at
first she did not want to accept it considering the yawning age
gap
between us, and the fact that I had given her nice presents
before. We
were both aware of the attraction between us and I guess she
wanted to
keep some distance due to the age gap between us, which is
perfectly
understandable. But seeing the joy in her eyes when she finally
accepted
it when I stressed that it was a no strings attached present,
made my
day. I was over the moon with the joy of giving, or sharing. We
have
been good friends for several years now and our relationship is
going to
remain like that.

And that recording of Beethoven's 5th that you mention is probably
the
very best rendition of that oeuvre ever. I first listened to
that CD
years ago when it came to my notice at the local library.
Listening to
it on some decent speakers at home was an eye (and ear) opener for
me.
Mind you, the VPO is definitely one of the finest, if not the
finest,
orchestras in the world. And under a conductor like Carlos Kleiber
they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant
critic,
for example. Interest, experience all come in. I remember
listening to
some piano work played by a famous player who shall remain
nameless. As
it happened, I had a friend who is a world class classical guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet
version
of the same work and of course I took his advice and bought the
George
Bolet version. And as soon as I put the disc in the CD player, I
could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an
education in
music even though I did not become a professional musician but I
still
have the benefit of a pair of trained ears.
-- choro

Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he
more
of a "pop-organist?).

But I envy you with your education in music, and you probably play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.

Since you obviously like organ music and Bach, have a listen to
this...
Amazing for a boy his age!


Also listen to the following...

...and here is a truly great artist playing the same Bach Toccata and
Fugue...

E. Power Biggs on the Pedal Harpsichord...absolutely amazing... not
only
the playing but also the quality of the sound and the quality of the
recording...

And the other chap you mention? Virgil Fox? Did a YouTube search and
tried to listen to some of his stuff... well, I tried! Honestly I did
and you know what went through my mind: Oh, God!!! How awful!!!!

For a moment I thought I was having a nightmare as I recalled the
"pianist" Liberace!

But you know, these, I won't even call them second rate artists, *do*
serve a useful purpose if only to make us appreciate truly great
artists
when we hear them! But one thing we mustn't do is not to get
confused by
expressions such as "popular" or so-called "famous" artists as opposed
to truly great masters.

Composing of course is a great art. I doubt that works are just
inspired
in a jiffy. It doesn't work out like that. If you read about Beethoven
you will note that he used to have a book in which he would scribble
tunes as they came to his head. Tunes are the building blocks of any
musical work. But they are only the start. The edifice is constructed
around such inspired tunes. Not everything that passes for music these
days is music. Good sound track material may be, but not music.
-- choro


That kid's good and no doubt will get better, but I can certainly tell
the difference between him and Richter.
Richter's more than technically good; he puts far more feeling into the
piece. It has a drama about it and a more cut and clipped feel than the
kid's.

Talking of musical prodigies (no, not Mozart, who I understand used to
produce whole scores for symphonies with hardly any crossings-out,
as if
they came finished out of his head) look at this Greek boy on a
bouzouki. He looks not long out of a pram.
http://www.youtube.com/watch?v=_TMGARku0iA

Ed

The kid playing Bach's Toccata and Fugue in D minor is of course only 13
years old. Or was at the time which was in 2010, I believe. Of course he
is going to mature. As for Richter, he is one of the all time greats.
But do listen to E. Power Biggs playing the same work on the harpsichord
and listen very carefully. I am thankful to you for bringing me this
great keyboard player to my attention for I was not aware of his name
even. He is incredibly good. And the recording is also superb.

But I have come across another great musician; a singer this time. Here
watch this... Great stuff!!!
http://www.youtube.com/watch?v=usql_VSXn_0


You are right about Mozart, though I am sure there is some PR behind all
those stories about him. But that he was a prodigy, there is no doubt.
Also do not forget that most of his music is a bit formulaic, if you ask
me, and I have heard music by other composers of the time that was
somewhat indistinguishable from Mozart's music. This of course doesn't
detract one bit from the greatness of Mozart's music.

As for Beethoven, he broke new ground and we can safely say that he was
a revolutionary. He was also, at least to my opinion, the greatest
Romantic -- witness his piano sonatas! And therein lies his greatness.

The little Greek boy on the bouzouki shows what kids can accomplish but
he is not playing great music and he is still very immature which is
natural considering his age. I know I am being a bit tough on him but...

-- choro

I guess that's how Beethoven started, as a kid made to practise hours a
day on the piano. But just what turned him into the great genius who
would sit by a piano for ages just bashing out patterns to perfection,
well, that's beyond me.

There's something extremely manly and energetic about Beethoven's music;
whereas Mozart's has a lightness and beauty about it. But Mozart could
do the Beethovian minor key thing, though, when he tried. Have a listen
to the first movement of Piano Concerto 20; written in 1785 when B was
about 15, but it has the feel of Beethoven middle period about it.

Ed
Mozart was basically a court musician composing mostly pleasant music
for the courtiers to listen to, to while away their time. Of course, by
saying this I am not at all intimating that he wrote nothing else. Of
course he did. After all he was one of the all time greatest composers.
OTOH, Beethoven was a free spirit even though the aristocracy still
provided patronage for him but he wasn't in their employ. And that is a
fundamental difference. What you say about Beethoven's music being
"energetic" to me sounds "rebellious" and "revolutionary". He was a
rebel before his time!
-- choro

You're confusing Mozart with Haydn. Mozart was quite a rebel.

As for Beethoven, he didn't know the line between rebellion and
self-important, overweaning arrogance. He seems to have been utterly
unbearable as a human being, for all that I just adore his music.
Musical genius combined with total deafness can do that to you.
 
C

choro

On 17/11/2011 13:59, choro wrote:
On 17/11/2011 12:47, Ed Cryer wrote:
On 17/11/2011 00:42, choro wrote:
On 16/11/2011 22:17, Mack A. Damia wrote:

On 15/11/2011 18:58, Mack A. Damia wrote:

On 15/11/2011 13:12, Ed Cryer wrote:
On 14/11/2011 23:09, choro wrote:
On 14/11/2011 19:21, Ed Cryer wrote:
On 14/11/2011 15:39, choro wrote:
On 14/11/2011 12:17, Ed Cryer wrote:
On 14/11/2011 11:56, choro wrote:
On 14/11/2011 09:28, John M Ward wrote:
On Mon, 14 Nov 2011 08:43:39 +0000, "J. P. Gilliver
(John)"

In message<[email protected]>, John M Ward
[]
I am in the USA.

Well, no-one's perfect :eek:)

As for the pronunciation of "route", here in the
language's
country
of origin in rhymes with root rather than rout,
though it
is hard
to say which is better or whether one is right and the
other
wrong.

I'm in England too, but we shouldn't be smug: just
because
it came
from here, no reason to assume pronunciation - or
grammar, or
anything else - has remained unchanged here but
changed in
USA,
rather than vice versa! (Compare "gotten".)

[I tend to think our "root" pronunciation is correct
as it
matches
the French which I think is the origin. BICBW.]

The pronunciation of "route" is discussed from time to
time in
alt.usage.english. Both the "oo" and "ow" pronunciations
are used
for
"route" in the US.

Yes, I've noticed that, and with the letter zed (or zee).

I think it was the last time we discussed it there that I
had just
watched an American movie on TV and had noticed in a
scene
in which
two characters were discussing how to get somewhere that
one used
the
"ow" sound and the other the "oo".

I've spotted this too, including in Stargate Atlantis
where
UK-born
actor David Hewlett plays a Canadian: apparently the
Canadians have
pronunciations more like ours than the USians so this
was a
kind of
get-out for Dr McKay's "Zep Pee Em" (Zero Point Module).

Since you two have gone way off the subject, how about
changing it
yet
again and going into the definition of the words
"eroticism"
and
"pornography" and the merits and/or demerits of both.

Is or rather was Anais Nin a writer of erotography or
pornography?

Forget about "route" vs "rout" and "Zet" versus "Zee"!

And what do I see? This conversation is also being
carried on
in the
group "alt.possessive.its.has.no.apostrophe"!

My God, what is the world coming to? I learned English as a
foreign
language in my teens and I never thought that I'd see a
Usenet group
dedicated to "Its" vs "It's". Don't they teach you that the
apostrophe
is there to indicate a contraction of the full expression?
They
didn't
teach me either but I just added two and two together to
arrive at
the
following logical conclusion.

Let's see... "It's" is the shortened version of "It is" or
"It
has" or
some such other expression and "didn't" is a shortened
version of
"did
not", while in, for example, "The boy's thingie" is a
contraction for
"The thingie of the boy"... ;-)

But bear all this in mind with the *caveat* that "its" has
*no*
apostrophe if it can simply be replaced by any of the words
in the
set
*my/your/his/her/its/our/your/their*. An example would be:
"Its size
is..." where "Its" can be replaced with "His/Her size
is...".
Get
it?!

Though I never saw this subject explained so succinctly
and so
clearly
in any textbook, I am afraid! But talking to an English
language
teacher
who was himself English, the foremost authority on the
English
language
is a Dutchman! There we have it in a nutshell! No,
unfortunately I am
not that Dutchman. Not even Dutch!

Oh, I never told you that in my younger days I was a
teacher of
English
as a foreign language to teenagers for a couple of years
until I
gave up
teaching over poor pay. That was over half a century ago,
but
what
is it
they say. "Once a teacher, always a teacher"!

And once the boys and girls I used to teach got this
concept
of the
apostrophe being there to stand for an abbreviation, they
didn't make
any such stupid mistakes any more.
-- choro


If only it were that simple and straight-forward!! But it
isn't.
Look at the apostrophies in these two sentences;
It's the boy's book.
It isn't the boys' book.

You'll see where an apostrophy doesn't signify a contraction
but a
possessive genitive derived from Germanic genitive case.

Ed's very own contribution to "its" and "it's".

You are right, you b****rd! ;-)

I knew I had boo-booed somewhere! But still what did I
say?...

"But bear all this in mind with the *caveat* that "its" has
*no*
apostrophe if it can simply be replaced by any of the
words in
the set
*my/your/his/her/its/our/your/their*. An example would be:
"Its
size
is..." where "Its" can be replaced with "His/Her size is...".
Get it?!"

I am talking only about "Its" here and in your example the
word
"boy/s"
(not Its or Their) in "The boy's thingie..." and "The boys'
thingie..."
fall outside this *"Its Caveat"*!

And besides using such terms as "possessive genitive" only
confuses the
average person or student. Keep it simple, as says my old
classmate who
has made a billion! Why complicate things?

Do you have to understand the laws of chemistry to fry an egg
or indeed
to boil one?

Ah, but boiling an egg is an art in itself!!! Or do you
want to
approach
the problem through understanding exactly what happens when
you
boil an
egg? Just boil the bloody thing!

I remember my ex jumping into the garden when she tried
frying
an egg
for the very first time for me! Apparently she used to get
the
oil so
hot that the egg spluttered wildly when she broke it into the
frying
pan! Stupid bitch!
-- choro

No no, you shouldn't investigate things too deeply. It drives
some nuts
and it brings little benefit to humanity. We should all go
back
to an
agrarian economy, believe in a flat earth and the geocentric
map
of the
solar system. We certainly shouldn't go running through the
streets of a
city in the nude crying "Eureka" like Archimedes.
Let sleeping dogs lie. Draco dormiens non est titillandus.

Some nutters even discuss the plural of acronyms; whether they
should
have an apostrophe or not.
Is it "CDs" or "CD's"?
I think these plagues of the earth should be hanged, drawn and
quartered, as was William Wallace for trying to liberate them
there
Celtic Scots.

Ed the stepping-stone (Nemo me impune lacessit)

Well said. But the plural of CD is surely CDs and not CD's. ;-)

I try to stick to this rule wherever possible but one day I was
dealing
with another acronym and felt that I had no option but to use
the
damned
apostrophe! I'll be damned if I can now recall which acronym it
was.

Such is life! I am right at this moment listening to and partly
watching
the New Year Day's Concert of 1989 with the VPO under Carlos
Kleiber! An
unbeatable combination. Absolutely *bootiful*; all 1 hour
and 42
minutes
of it, courtesy of some nutter who has got nothing better to do
than to
make available the video of the full concert on YouTube! Bloody
good
sound as well as fairly good cinematic definition, actually.
-- choro

It is quite staggering just how much you can get on youtube.
There's a
famous 1975 recording of the Vienna Phil under Carlos K playing
Beethoven's 5th symphony. There are tens and tens of rips from
the
vinyl
original on youtube.
I take it all in good part. I look at it this way; it's not so
much
people with nothing better to do, but people wanting to share
with
the
world the things that have helped and inspired them; and that
is a
filip
to philanthropy and loving thy neighbour.

Ed

You are right again both about the staggering amount of
material on
YouTube as well about people wanting to share with other
like-minded
people the things that give them joy. For we get the greatest
joy in
life by giving and by sharing. I'll never forget the joy I got
when I
gave a girl I know a watch I had foolishly bought on eBay. I
didn't
need
a watch, in any case. It was a nice two tone unisex watch and at
first
she didn't want to accept it. But I could see that she liked it
and
I'll
never forget the joy in her eyes when she finally decided to
accept it
as a no strings attached present from me. I could understand
why at
first she did not want to accept it considering the yawning age
gap
between us, and the fact that I had given her nice presents
before. We
were both aware of the attraction between us and I guess she
wanted to
keep some distance due to the age gap between us, which is
perfectly
understandable. But seeing the joy in her eyes when she finally
accepted
it when I stressed that it was a no strings attached present,
made my
day. I was over the moon with the joy of giving, or sharing. We
have
been good friends for several years now and our relationship is
going to
remain like that.

And that recording of Beethoven's 5th that you mention is
probably
the
very best rendition of that oeuvre ever. I first listened to
that CD
years ago when it came to my notice at the local library.
Listening to
it on some decent speakers at home was an eye (and ear) opener
for
me.
Mind you, the VPO is definitely one of the finest, if not the
finest,
orchestras in the world. And under a conductor like Carlos
Kleiber
they
are simply out of this world.
-- choro

I do have to say, though, that I think it takes an extremely
well-tuned ear to hear the subtle differences among the greats.

I guess you are right. It is the same with being a restaurant
critic,
for example. Interest, experience all come in. I remember
listening to
some piano work played by a famous player who shall remain
nameless. As
it happened, I had a friend who is a world class classical
guitarist
whose wife happened to be quite a good professional pianist. And my
guitarist friend recommended that I listen to the George Bolet
version
of the same work and of course I took his advice and bought the
George
Bolet version. And as soon as I put the disc in the CD player, I
could
hear the difference. And because I was familiar with the work the
difference was glaring. I guess I have the benefit of an
education in
music even though I did not become a professional musician but I
still
have the benefit of a pair of trained ears.
-- choro

Well, I may be lying to myself, because I can tell the difference
between an orchestra just playing the notes (going through the
motions) as opposed to an orchestra actually playing and feeling the
musical work. - but among the "greats", it can be difficult. I can
tell the difference between, say, E. Power Biggs who, I believe
captured the soul of Bach and somebody such as Virgil Fox (was he
more
of a "pop-organist?).

But I envy you with your education in music, and you probably
play an
instrument. I am in constant awe of those composers who think in
terms of beautiful music. I just can't imagine how it is done. I
think heard somebody (it may have been McCartney) say that it's like
an earworm you wake up with - except it's a new work of art.

Since you obviously like organ music and Bach, have a listen to
this...
Amazing for a boy his age!


Also listen to the following...

...and here is a truly great artist playing the same Bach Toccata and
Fugue...

E. Power Biggs on the Pedal Harpsichord...absolutely amazing... not
only
the playing but also the quality of the sound and the quality of the
recording...

And the other chap you mention? Virgil Fox? Did a YouTube search and
tried to listen to some of his stuff... well, I tried! Honestly I did
and you know what went through my mind: Oh, God!!! How awful!!!!

For a moment I thought I was having a nightmare as I recalled the
"pianist" Liberace!

But you know, these, I won't even call them second rate artists, *do*
serve a useful purpose if only to make us appreciate truly great
artists
when we hear them! But one thing we mustn't do is not to get
confused by
expressions such as "popular" or so-called "famous" artists as
opposed
to truly great masters.

Composing of course is a great art. I doubt that works are just
inspired
in a jiffy. It doesn't work out like that. If you read about
Beethoven
you will note that he used to have a book in which he would scribble
tunes as they came to his head. Tunes are the building blocks of any
musical work. But they are only the start. The edifice is constructed
around such inspired tunes. Not everything that passes for music
these
days is music. Good sound track material may be, but not music.
-- choro


That kid's good and no doubt will get better, but I can certainly tell
the difference between him and Richter.
Richter's more than technically good; he puts far more feeling into
the
piece. It has a drama about it and a more cut and clipped feel than
the
kid's.

Talking of musical prodigies (no, not Mozart, who I understand used to
produce whole scores for symphonies with hardly any crossings-out,
as if
they came finished out of his head) look at this Greek boy on a
bouzouki. He looks not long out of a pram.
http://www.youtube.com/watch?v=_TMGARku0iA

Ed

The kid playing Bach's Toccata and Fugue in D minor is of course
only 13
years old. Or was at the time which was in 2010, I believe. Of
course he
is going to mature. As for Richter, he is one of the all time greats.
But do listen to E. Power Biggs playing the same work on the
harpsichord
and listen very carefully. I am thankful to you for bringing me this
great keyboard player to my attention for I was not aware of his name
even. He is incredibly good. And the recording is also superb.

But I have come across another great musician; a singer this time. Here
watch this... Great stuff!!!
http://www.youtube.com/watch?v=usql_VSXn_0


You are right about Mozart, though I am sure there is some PR behind
all
those stories about him. But that he was a prodigy, there is no doubt.
Also do not forget that most of his music is a bit formulaic, if you
ask
me, and I have heard music by other composers of the time that was
somewhat indistinguishable from Mozart's music. This of course doesn't
detract one bit from the greatness of Mozart's music.

As for Beethoven, he broke new ground and we can safely say that he was
a revolutionary. He was also, at least to my opinion, the greatest
Romantic -- witness his piano sonatas! And therein lies his greatness.

The little Greek boy on the bouzouki shows what kids can accomplish but
he is not playing great music and he is still very immature which is
natural considering his age. I know I am being a bit tough on him
but...

-- choro

I guess that's how Beethoven started, as a kid made to practise hours a
day on the piano. But just what turned him into the great genius who
would sit by a piano for ages just bashing out patterns to perfection,
well, that's beyond me.

There's something extremely manly and energetic about Beethoven's music;
whereas Mozart's has a lightness and beauty about it. But Mozart could
do the Beethovian minor key thing, though, when he tried. Have a listen
to the first movement of Piano Concerto 20; written in 1785 when B was
about 15, but it has the feel of Beethoven middle period about it.

Ed
Mozart was basically a court musician composing mostly pleasant music
for the courtiers to listen to, to while away their time. Of course, by
saying this I am not at all intimating that he wrote nothing else. Of
course he did. After all he was one of the all time greatest composers.
OTOH, Beethoven was a free spirit even though the aristocracy still
provided patronage for him but he wasn't in their employ. And that is a
fundamental difference. What you say about Beethoven's music being
"energetic" to me sounds "rebellious" and "revolutionary". He was a
rebel before his time!
-- choro

You're confusing Mozart with Haydn. Mozart was quite a rebel.

As for Beethoven, he didn't know the line between rebellion and
self-important, overweaning arrogance. He seems to have been utterly
unbearable as a human being, for all that I just adore his music.

Ed
No, sir I am not confusing Mozart with Haydn. Mozart too was an
employee. Not as much as Haydn was but still an employee. He could not
have survived without aristocratic patronage.

Beethoven was the first to break that tradition. And sir, Beethoven
*was* a rebel. And sir, what does Beethoven's social graces or the lack
of them have to do with his music?

I think you are indoctrinated! Learn to be a free thinker!
-- choro
 

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